- Thuluth
Thuluth (Arabic: ثلث "one-third", Turkish: "Sülüs") is a script variety of
Islamic calligraphy , which made its first appearance in the fourth century of the Hegira (11th century CE). The straight angular forms ofKufic were replaced in the new script by curved andoblique lines. In Thuluth, one-third of each letter slopes, from which the name (meaning "a third" in Arabic) comes. It is a large and elegant,cursive script, used in medieval times onmosque decorations. Various calligraphic styles evolved from Thuluth through slight changes of form.History
The greatest contributions to the evolution of the Thuluth script, occurred during
Ottoman Empire in three successive steps that Ottoman Art Historians call "Calligraphical Revolutions":*The first "revolution" occurred in the
15th Century and was initiated by the Master CalligrapherŞeyh Hamdullah , [ [http://www.kalemguzeli.net/huseyin-kutlu-hat-sanati-kalemi-sevk-edebilmektir.html Hüseyin Kutlu: Hat sanatı kalemi şevk edebilmektir - Kalem Güzeli ] ] [ [http://www.columbia.edu/itc/mealac/pritchett/00xcallig/mughalearly/zzturkey/hamdullah1500s.html hamdullah1500s ] ]*The second revolution occurred as a result of the Ottoman Calligrapher
Hâfız Osman in the17th Century , [ [http://www.istanbul.edu.tr/Bolumler/guzelsanat/kitap.htm Kitap Sanatı ] ] Ali, Wijdan. " [http://www2.let.uu.nl/Solis/anpt/ejos/pdf4/07Ali.pdf From the Literal to the Spiritual: The Development of Prophet Muhammad's Portrayal from 13th Century Ilkhanid Miniatures to 17th Century Ottoman Art] ". In "Proceedings of the 11th International Congress of Turkish Art", eds. M. Kiel, N. Landman, and H. Theunissen. No. 7, 1–24. Utrecht, The Netherlands, August 23-28, 1999, p. 7]*Finally,
Mehmed Şevkî Efendi in the late19th Century , gave the script the distinctive shape it has today. [ [http://sanattarihi.wordpress.com/2006/10/01/mehmed-sevki-efendi-2/ Mehmed Şevki Efendi « Sanat Tarihi ] ] [http://www.bilgininadresi.net/Madde/9375/Mehmed-Şevki-Efendi-(M/1887)] [ [http://www.turkislamsanatlari.com/sevkiefendi.asp Türk Ýslam Sanatlarý - Tezyini Sanatlar ] ]Artists
The best known artist to write the Thuluth script at its zenith is said to be
Mustafa Rakım Efendi , -a painter- that set the barrier in Ottoman Calligraphy, a barrier that many said has still not been crossed until this day. [ [http://calligrapher.blogsome.com/2006/04/20/rakim-mustafa-rakim-1757-1826/ Journal of Ottoman Calligraphy :: RAKIM: ‘Mustafa Rakim” (1757 - 1826) :: April :: 2006 ] ]Usage
Thuluth was used to write the headings of
surah s,Qur'an ic chapters. Some of the oldest copies of the Qur'an were written in Thuluth. Later copies were written in a combination of Thuluth and either Naskhi orMuhakkak , while after the15th century Naskhi came to be used exclusively.tyle
An important aspect of Thuluth script is the use of Harakat ("Hareke" in Turkish) for representing vowel sounds, and other marks that were created to beautify the script. The grammatical Harakat follows the normal rules for any Arabic script, but the 'Art' markings follow their own rules in relation to placement and grouping. One common grouping technique is to separate the marks written below letters from those written above. The stylistic rules allow for great creativity as to shape and orientation.
References
ee also
*
Islamic calligraphy
*Ibn Muqlah External links
* [http://www.hatvesanat.com Hatvesanat.com]
* [http://trboard.org/modules/makale/makale.php?id=73 Thuluth Script]
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