Marta Eggerth

Marta Eggerth
Marta Eggerth in Presenting Lily Mars, 1943
Born	17 April 1912 (1912-04-17) (age 99) Makó, Austria-Hungary (now Hungary)
Occupation	Actress
Years active	1930 - 1957

Marta Eggerth (born April 17, 1912, Budapest) is a singer/actress from "The Silver Age of Operetta". Many of the 20th century's most famous operetta composers, including Franz Lehár, Fritz Kreisler, Robert Stolz, Oscar Straus, and Paul Abraham, composed works especially for her. Eggerth, who debuted in her early teens and remains active into her late 90s, has enjoyed a celebrated stage and film career.

Early life

Eggerth began singing during her early childhood. Her mother, a dramatic coloratura soprano, dedicated herself to her daughter, who was called a "Wunderkind" at the age of 11 making her theatrical debut in the operetta Mannequins. It was during this time and the years that followed that Marta began singing the most demanding coloratura repertoire by composers including Rossini, Meyerbeer, Offenbach, and Johann Strauss II. While still a teenager, Marta Eggerth embarked on a tour of Denmark, Holland and Sweden before arriving in Vienna at the invitation of Emmerich Kalman. Kalman invited her to Vienna to understudy Adele Kern, the famous coloratura of the Vienna State Opera, in his operetta Das Veilchen von Montmarte (The Violet of Montmarte), eventually taking over the title role to great critical acclaim after Miss Kern suddenly became indisposed. Following, Marta performed the role of Adele in Max Reinhart's famous 1929 Hamburg production of Die Fledermaus at the age of 17, perhaps the yougest singer ever to undertake the part.

Marta Eggerth in Berlin, c. 1932

Career

During the early 1930s, Marta Eggerth was discovered by the film industry, and her career took off resulting in international fame. She made more than 40 films in four languages — English, German, French and Italian. Among the highlights were, Where is this Lady (1932); Ein lied, ein Kuss, Ein Madel (Berlin 1932); Die Czardasfurstin (1934); Die Blonde Carmen (Berlin 1935); Casta Diva, the story of Bellini (Rome 1935); Das Hofkonzert (1936); Zauber der Boheme, with Jan Kiepura (Vienna 1936); as well as two films written especially for her by Franz Lehár-- Es war einmal ein Walzer (1932) and Die ganze Welt dreht sich um Liebe (Vienna 1935). It was on the set of the 1934 film Mein Herz ruft nach dir (My Heart is Calling You) that she met and fell in love with the young Polish tenor, Jan Kiepura. They were married in 1936 and together became known as Europe's Liebespaar (Love Pair) causing a sensation wherever they appeared.

On February 10, 1938, Jan Kiepura made his debut at New York's Metropolitan Opera, singing the role of Rodolfo in Puccini's La bohème. He went on to sing leading roles in Tosca, Rigoletto, Carmen, Manon, and Aida, as well as performing up to 80 concerts a year throughout the United States and Canada. While Jan Kiepura toured the United States, Eggerth was signed by the Schubert Theater on Broadway to appear in Richard Rodgers' musical Higher and Higher. She subsequently signed a contract with Metro-Goldwyn-Mayer in Hollywood, and during the early 1940s, made two movies with Judy Garland — For Me and My Gal in 1942 (also Gene Kelly's first major film role) and Presenting Lily Mars in 1943.

In Chicago, Eggerth and Kiepura performed together on the operatic stage in La Bohème to rave reviews. In 1943, they starred together on Broadway at the Majestic Theater in a revised production of Lehár's The Merry Widow, with Robert Stolz conducting and George Balanchine as choreographer. They would eventually perform The Merry Widow more than 200 times, in five languages throughout Europe and America. After World War II, they returned to France touring and Making films, such as La Valse Brilliante (1948) and The Land of Smiles (1952), before bringing The Merry Widow to London's Palace Theatre in 1954.

Throughout her career Eggerth maintained active recital tours throughout Europe, Canada and the United States, combining her extensive repertoire of lieder, opera, film songs, and especially Viennese operetta. Kiepura's equally active recital schedule often meant that the couple would be temporarily separated. But the couple's international tours often brought them together in the same city, where they would perform to delighted crowds. In London, they gave two sold out concerts in one week at the Royal Albert Hall in 1956. The couple continued singing throughout the 1950s and 1960s with more productions of The Merry Widow in the United States, concerts and other productions in Europe. In 1965 they brought back The Merry Widow back to Berlin for yet another successful run.

Jan Kiepura died prematurely in 1966. Eggerth stopped singing at this time for several years. Finally, persuaded by her mother, she decided to revive her career. In the 1970s she began to make regular television appearances, and to actively perform concerts in Europe. In 1984, she reurned to the American Stage to co-star in the Tom Jones/Harvey Schmidt musical Colette opposite Diana Rigg in Seattle and Denver, and later in Stephen Sondheim's Follies in Pittsburgh.

In 1999, at the age of 87, she sang on the stage of the Vienna State Opera in a special televised matinee concert hosted by the late opera impresario and historian Professor Marcel Prawy, to mark that opera house's first production of Lehár's The Merry Widow. She sang a medley from the operetta in four languages and received a spontaneous standing ovation. She repeated this medley in 2000, at a gala to mark the 200th anniversary of Vienna's Theater an der Wien.

In 2001, Eggerth returned to London for An Interview-in-Concert at Wigmore Hall, hosted by British author and critic, Brendon Carroll. She also sang at the annual Licia Albanese/Puccini Foundation Concerts at Lincoln Center's Alice Tully Hall to much fanfare. She was seen in Austria on a popular television detective series, Tatort, playing the role of an ageing diva suspected in a murder case. Highlights in 2006-2007 have included two concerts with interviews at the Metropolitan Museum of Art; sold out shows at the Cafe Sabarsky in Neue Galarie entertaining audiences with her great pre-war Viennese/Berlin cabaret style of wit, artistry and song; a concert and discussion held as part of New York University's Osher Lifelong Learning Institute; an appearance at the Austrian Cultural Forum as part of their 'Mostly Operetta' series; operetta master classes at Manhattan School of Music in New York City; as well as an appearance at JASA (Jewish Association for Services for the Aged.)

Awards

Eggerth has been awarded many major artistic decorations from Austria, Germany, Poland, and Italy in recognition of her accomplishments in operetta, theater and film. Her latest recognition include The Knights Cross of the Order of the Merit of the Republic of Hungary, her native land's highest honor, and the Erwin Piscator Life Achievement Award for her legendary achievements.

Eggerth is a whirlwind advocate for operetta, a lighter and more playful form of opera. "In opera, everybody dies. In operetta, everybody is flirtatious", says Eggerth of the art form that peaked in the 1940s, but which has always been her signature calling.

In 2003, Patria Music released a retrospective double CD of her songs entitled My Life My Song.

Personal life

Marta Eggerth was married to the well-known Polish tenor Jan Kiepura and they had two sons, Jan and Marjan, now a concert pianist in New Hampshire. He is married to Jane Knox-Kiepura, who helps run his company Patria Music.

Films

• Csak egy kislány van a világon (1930)
• Die Bräutigamswitwe (1931)
• Let's Love and Laugh (1931)
• Trara um Liebe (1931)
• Der Draufgänger (1931)
• Eine Nacht im Grandhotel (1931)
• Moderne Mitgift (1932)
• Where Is This Lady? (1932)
• Der Frauendiplomat (1932)
• Ein Lied, ein Kuß, ein Mädel (1932)
• Es war einmal ein Walzer (1932)
• Traum von Schönbrunn (1932)
• Das Blaue vom Himmel (1932)
• Kaiserwalzer (1933)
• Die Blume von Hawaii (1933)
• Leise flehen meine Lieder (1933)
• Der Zarewitsch (1933)
• Mein Herz ruft nach dir (1934)
• Die Czardasfürstin (1934)
• Unfinished Symphony (1934)
• Mon coeur t'appelle (1934)
• Ihr größter Erfolg (1934)
• The Divine Spark (1935)
• Die Blonde Carmen (1935)
• Casta diva (1935)
• Die Ganze Welt dreht sich um Liebe (1935)
• La Chanson du souvenir (1936)
• Das Schloß in Flandern (1936)
• Wo die Lerche singt (1936)
• Das Hofkonzert (1936)
• Zauber der Boheme (1937)
• Immer wenn ich glücklich bin..! (1938)
• For Me and My Gal (1942)
• Presenting Lily Mars (1943)
• Addio Mimí! (1947)
• Valse brillante (1949)
• Das Land des Lächelns (1952)
• Frühling in Berlin (1957)

External links

• Marta Eggerth at the Internet Movie Database
• Marta Eggerth on Internet Broadway Database
• Photographs and literature
• Marta Eggerth on PatriaMusic
• "Heard for Eight Decades, Her Voice Doesn't Waver" in New York Times
• WNYC "Evening Music" segment

Persondata
Name	Eggerth, Marta
Alternative names
Short description
Date of birth	April 17, 1912
Place of birth	Makó, Austria-Hungary (now Hungary)
Date of death
Place of death