- Francesco Algarotti
name = PAGENAME
image_size = 200px
caption = Tomb of Algarotti in
Camposanto di Pisa
11 December, 1712
3 May, 1764
nationality = Italian
footnotes = Count Francesco Algarotti (
11 December, 1712– 3 May, 1764) was an Italian philosopherand art critic.He also completed engravings.
He was born in
Veniceto a rich merchant. He studied at Romefor a year, and then Bologna, he studied natural sciences and mathematics. At age of twenty, he went to Paris, where he became friendly with Voltaireand produced his "Neutonianismo per le dame", a work on optics. Voltaire called him his "cher cygne de Padoue" ("dear swan of Padua"). Two years later he was in London, where he was made a fellow of the Royal Society, and became embroiled in a lively bisexual love-triangle with the politician John Hervey, and Lady Mary Wortley Montagu. Algarotti later dedicated six of the letters that made up his "Viaggi di Russia" to Hervey. Returning from a journey to Russia, he met Frederick the Great, who made him a Prussian count in 1740 and court chamberlain in 1747; they are said to have been lovers. Augustus III of Polandalso honoured him with the title of councillor. In 1754, after seven years' residence partly in Berlinand partly in Dresden, he returned to Italy, living at Venice and then at Pisa, where he died. Frederick the Great erected to his memory a monument on the Campo Santoat Pisa. He was "one of the first "beaux esprits" of the age," a man of wide knowledge, a connoisseur in art and music, and the friend of most of the leading authors of his time.
His chief work on art is the "Saggi sopra le belle arti" ("Essays on the Fine Arts"). Among his other works were "Poems", "Travels in Russia", "Essay on Painting", and "Correspondence".
He was one of the main "collectors" of art for
Augustus III of Poland's collection in Dresden. His choice of works reflects the encyclopedic interests of the Neoclassic age; he was uninterested in developing a single unitary stylistic collection, he envisioned a modern museum, a catalogue of styles from across the ages. For contemporary commissions, he wrote up a list for paintings he recommended commissioning, including to ask of history paintings from Tiepolo, Pittoni, and Piazzetta; scenes with animals from Castiglione, and vedutawith ruins from Pannini. He wanted "suggetti graziosi e leggeri" from Balestra, Boucher, and Donato Creti.
* [http://friedrich.uni-trier.de/oeuvres/18/ Correspondence with Frederick the Great]
*cite book | first= Francis|last= Haskell| year=1993| title= Patrons and Painters: Art and Society in Baroque Italy| chapter= Chapter 14 | editor= | others=1980 | pages= p 347-360 | publisher= Yale University Press| id= | url= | authorlink=
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