Fluke (band)

Infobox musical artist
Name = Fluke


Img_size = 250
Img_capt = In 1997 (l-r): Mike Bryant, Jon Fugler, Mike Tournier, Rachel Stewart
Landscape = yes
Background = group_or_band
Alias =
Origin = Beaconsfield Buckinghamshire, England
Genre = Techno, House,
Ambient house, IDM,
Ambient techno
Years_active = 1988 – present
Label = Creation, Strange Fruit,
Circa, Astralwerks,
Appalooso, One Little Indian
Associated_acts =
URL = [http://www.flukenet.info Flukenet.info]
Current_members = Mike Bryant
Jon Fugler
Past_members = Julian Nugent
Rachel Stewart
Mike Tournier

Fluke are an English electronic music group formed in the late 1980s by Mike Bryant, Jon Fugler and Mike Tournier with Julian Nugent as the band's manager. The band's conception was influenced by the members interest in the burgeoning acid house music scene and particularly the work of Cabaret Voltaire and Giorgio Moroder.

The band are noted for their diverse range of electronic styles spanning the house, techno, ambient and blues genres; for their reclusivity, rarely giving interviews; and for lengthy timespans between albums. Many listeners know of Fluke only through the inclusion of their music in many blockbuster film soundtracks, most notably The Matrix Reloaded and Sin City as well as featuring prominently on the soundtracks to the Need For Speed and Wipeout video game series.

To date Fluke have produced five original studio albums, two "best of" compilations and two live albums. Throughout their career they have made several changes to their line-up with credited appearances attributed to Neil Davenport playing guitars, Robin Goodridge on drums and Hugh Bryder as a DJ. When Fluke were touring for "Risotto" they were joined on stage by Rachel Stewart who acted as a personification of the band's official mascot, a character from the Wipeout video games series named Ariel Tetsuo. Stewart continued as lead female vocalist and as a dancer for all of Fluke's live performances between 1997 and 1999.

After "Risotto", Mike Tournier left the group to form Syntax with Jan Burton. Mike Bryant and Jon Fugler went on to produce Fluke's latest studio album without Touriner's help and the pair have subsequently engaged in projects under the name "2 Bit Pie", with their debut album released on September 4 2006. The musical activities of Mike Tournier remain unknown at present.

History/biography

The Techno Rose of Blighty

Prior to forming Fluke, Jon Fugler and Mike Bryant had previously played in two punk bands together named "The Leaky Radiators" and "The Lay Figures" respectively. The third member of Fluke, Mike Tournier, was introduced to the group when he undertook work on a collaboration with Jon Fugler entitled "Skin".cite web |url=http://www.bbc.co.uk/radio1/johnpeel/artists/f/fluke/ |title=BBC Radio 1: John Peel : Fluke Biography|accessdate=2006-11-09] It soon became clear that all three shared musical tastes, having a shared interest in the acid house scene and the more experimental electronic sounds of Cabaret Voltaire and Giorgio Moroder.cite web |url=http://www.indian.co.uk/fluke/ |title=One Little Indian Fluke Biography |accessdate=2006-11-09] Finally, with the casting of Julian Nugent in a managerial role, Fluke was born."Six Wheels on My Wagon Inlay Sheet", "Fluke are: Mike Bryant, Mike Tournier, Jonathan Fugler, Julian Nugent".]

Fluke's first single, released in 1988, was a white label vinyl entitled "Island Life", pressed on a clear blue 12" vinyl record. Although a commercial failure, as well as being very different in sound to the band's later works, the group persisted and released a further two white label vinyls; "Thumper!" (audio| Fluke - Thumper Original Mix.ogg|sample) in 1989 and "Joni/Taxi" in 1990, a song that sampled Joni Mitchell's "Big Yellow Taxi".cite web |url=http://www.global-trance.co.uk/fr_index.html?/Fluke1.html |title=Global Trance Fluke Discography|accessdate=2006-11-09] The attention that these records received successfully gained the band a record deal with Creation Records with whom they released their first CD single "Philly" in the same year.

The following year saw the release of Fluke's first album, "The Techno Rose of Blighty" which was swiftly followed by the single "The Bells" and a live album entitled "Out (In Essence)". For the release of "Out (In Essence)" Fluke abandoned their deal with Creation Records and signed instead with Circa Records, an offshoot of Virgin. Along with the releases of these first two albums, Fluke also began their career-spanning tradition of releasing work of a different nature under various monikers. The first of these, the industrial single "All Aboard" was released in 1990 under the name The Lucky Monkeys.cite web |url=http://www.global-trance.co.uk/fr_index.html?/Lucky_Monkeys.html |title=Global Trance Lucky Monkeys Discography|accessdate=2006-11-09]

The band realised at this early stage in their career that they would experience the greatest artistic freedom if they possessed their own recording studio. They therefore took it upon themselves to obtain their own premises. This was an asset which, according to Jon Fugler, proved invaluable in coordinating the "wider pool of people - musicians and friends - that we draw on to help."cite news|first=Andrew|last=Cowen|work=Birmingham Post|date=2001-08-09|title=Culture: Fluke leave nothing to chance The fact that we haven't become the biggest band in the world is to our advantage, Fluke's John Fugler tells Andrew Cowen.|page=12]

ix Wheels On My Wagon

After a two year break Fluke returned with what was to be a breakthrough into mainstream popular music when, in 1993, they released the single "Slid". This single became an instant club classic when it was picked up by DJ Sasha who liked it so much that he included three separate remixes of it on his "Renaissance" album.cite web |url=http://www.indian.co.uk/fluke/ |title=One Little Indian Records: Fluke|accessdate=2006-11-09] This burst of success was followed by a rush of two further singles, "Electric Guitar" (audio| Fluke - Electric Guitar Humbucker.ogg|sample) and "Groovy Feeling", and, in the same year, the release of the group's second album, "Six Wheels On My Wagon".

This new album was a distinctly house production, featuring uplifting riffs and ambient effects, as opposed to the eponymous techno style of their previous release. The album was structured so that the more accessible 'pop' tracks were to be found at the beginning of the album and the more ambitious ambient works were located towards the end. Though this could have produced a stagnating effect, it was received favourably by critics, with Billboard magazine labelling it as "groundbreaking".cite journal | author=Pride, Dominic | title=Euro subculture offers ambience with attitude | journal=Billboard | year=1994 | volume=106 | issue=30 | pages= 1] cite web |url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:3kq2g4amtv8z |title=All Music Guide: Review of Six Wheels on My Wagon|accessdate=2006-11-09] Other reviewers went even further, with The Independent suggesting that Fluke were to become the next big thing in Europe:

In 1994 Fluke released "The Peel Sessions", recorded for BBC Radio 1 DJ John Peel. This CD was a selection of tracks from two live sessions recorded on 18 November 1990 and 10 December 1991.cite web |url=http://www.bbc.co.uk/radio1/johnpeel/sessions/1990s/1990/Nov18fluke/ |title=BBC Radio 1: John Peel: Fluke Session 1990|accessdate=2006-11-09] cite web |url=http://www.bbc.co.uk/radio1/johnpeel/sessions/1990s/1991/Dec10fluke/ |title=BBC Radio 1: John Peel: Fluke Session 1991|accessdate=2006-11-09] The CD also included one new song, "Time Keeper", and several tracks which had previously been released on vinyl only. Fluke were invited to perform two further, unreleased, Peel Sessions after this CD. One broadcast on the 10 November 1996 and the other performed live on the 8 December 2002.cite web |url=http://www.bbc.co.uk/radio1/johnpeel/sessions/1990s/1996/Nov10fluke/ |title=BBC Radio 1: John Peel: Fluke Session 1996|accessdate=2006-11-09] cite web |url=http://www.bbc.co.uk/radio1/johnpeel/sessions/2000s/2002/Dec08fluke/ |title=BBC Radio 1: John Peel: Fluke Session 2002|accessdate=2006-11-09]

Oto and Risotto

The following year Fluke released their third album, "Oto", which is the Greek for "of the ear". In terms of style, "Oto" was somewhat darker than "Six Wheels on my Wagon", focusing on the downbeat ambient effects which were present in the second half of "Six Wheels". However, in this album the band completely removed the uplifting house style that characterised their previous work. Owing to the decreased accessibility of the album as a result of this, only three singles were deemed suitable for release from "Oto"; "Bubble", "Bullet" and "Tosh". In spite of this, "Bullet" was chosen by Dominic Pride of Billboard magazine as one of his top ten picks of 1995.cite journal | author=Atwood, Brett and Bambarger, Bradley | title=The critics' choice | journal=Billboard | year=1995 | volume=107 | issue=51 | pages= 32] These singles were also the first of Fluke's releases to gain mainstream top 40 chart positions in the UK.cite web |url=http://members.tripod.com/markolf/fluke.html |title=Marcolphus's Fluke Discography|accessdate=2006-11-09]

In 1996 Fluke released "Atom Bomb", a single that reached #20 in the UK charts. Originally created as a soundtrack to the video game "Wipeout 2097", it was to become the centrepiece of their next album, "Risotto".soundtrack, called "Wipeout XL", which featured tracks from The Chemical Brothers, Future Sound of London, Photek, Underworld, Daft Punk, Leftfield and The Prodigy.cite journal | author=Atwood, Brett | title=Dance music energizes `Wipeout XL' | journal=Billboard | year=1996 | volume=108 | issue=37 | pages= 72] Of all their productions, it is Fluke's fourth studio album which is most widely known, primarily because it represented the pinnacle of Fluke's mainstream chart success with the singles "Atom Bomb" and "Absurd" (audio| Fluke - Absurd Whitewash.ogg|sample). The album was named "Risotto" after the food dish of the same name because, like its culinary counterpart, it contained a mix of "ingredients". These included the pre-released singles "Atom Bomb" and "Absurd", new tracks "Goodnight Lover" and "Kitten Moon", the post-album single "Squirt" and reworked older tracks such as "Mosh", a remix of "Tosh" from "Oto". "Risotto" was perhaps the most favourably reviewed of all Fluke's albums with David Bennun of The Guardian writing:

At this stage in time the band also saw fit to re-use the Lucky Monkeys moniker for the release of "Bjango", a single which included a remix by Fluke themselves.

After touring for a year with "Risotto" on the American, "Electric Highway Tour", and having made two appearances at the Glastonbury festival in 1995 and 1998, Mike Tournier elected to leave the group to pursue a different project named Syntax, with the band's long standing friend, Jan Burton.cite web |url=http://www.astralwerks.com/fluke/bio.html |title=Astralwerks Fluke Biography|accessdate=2006-11-09] cite web |url=http://www.efestivals.co.uk/festivals/glastonbury/1995/ |title=Glastonbury Festival Artist List for 1995|accessdate=2006-11-09] cite web |url=http://www.efestivals.co.uk/festivals/glastonbury/1998/alpha.shtml |title=Glastonbury Festival Artist List for 1998|accessdate=2006-11-09] The pair produced just a single album, "Meccano Mind" in March 2004, which in turn spawned two moderately successful singles and a live tour supporting Scissor Sisters, before the pair decided to go their own ways in 2005.cite news|first=Stuart|last=Barrie|title=The Razz: Clubbing nation: The sound of Syntax is no Fluke|work=The Daily Record|page=54|date=2004-04-09]

Progressive History X/Progressive History XXX

With the group split it was seen fit to release two "Best Of" albums entitled "Progressive History X", a compilation spanning their entire ten year producing history, and then in 2001, "Progressive History XXX", a three CD box-set including many rare and hard to find mixes. Both releases were packaged with the artwork "Just Your Average Second On This Planet" 1997-1998 by David Bethell The box-set contained black, red, white and blue versions of the same original cover art, and also came with a poster of the silhouette image on one side and all other album covers on the flip.

2002 saw the formation of The Fluke DJs, a live-show pairing of Jon Fugler and Hugh Bryder. Bryder was a DJ who had assisted Fluke in their live performances since 1993 as well as working with other DJs such as Seb Fontaine while holding a DJ residency at MTV's special event parties.cite web |url=http://www.zedigitalhub.com/fluke/fluke_full.html |title=Fluke Official Website: Bio|accessdate=2006-11-09] This seemed to indicate further rifts amongst the band as this DJ combination included neither Mike Bryant nor Mike Tournier. However, Jon Fugler denied these rumours shortly after they surfaced claiming that the band merely needed some time away from each other after their intense work on "Risotto".cite web |url=http://www.progressive-sounds.com/artists/Fluke/Fluke-interview-10-2002.asp |title=Progressive Sounds Interview with Jon Fugler|accessdate=2006-11-09]

Puppy

Even with the release of the "best of" albums, there were still signs of life in Fluke's production studio when, in 2000, they produced a promotional CD named "The Xmas Demos". This included many of the tracks intended for the album "Puppy", with only the track Liquid in the end being excluded, instead available as a free mp3 after completing a game on the [http://www.flukenet.info official site] . Speculation about a new album was furthered when, after a break of 6 years, the remaining members of Fluke put out two singles forming the basis of this next album.cite web |url=http://www.global-trance.co.uk/fr_index.html?/Fluke3.html |title=Global Trance Fluke Discography (Page 3)|accessdate=2006-11-09] Though the aptly titled "" signalled a break from the past, with the writing credits listed simply as "Bryant/Fugler" under the Appalooso label, "Pulse" exemplified a much darker style and was released on the One Little Indian label. It was in 2003 however that Fluke finally demonstrated their ability to survive without Tournier when they released their seventh studio album, "Puppy", six years after "Risotto". The name of the album was inspired by Jeff Koons' fifty foot sculpture of a puppy that stands outside the Guggenheim museum in Bilbao.cite web |url=http://www.thevibes.net/interviews/fluke.html |title=The Vibes Interview with Jon Fugler|accessdate=2006-11-09] This album proved to be similar to the earlier "Risotto" tracks in tempo and mood, but with the introduction of some new ideas, such as the inclusion of a blues track, "Blue Sky" and the addition of a very dark techno orientated bonus track, Pulse.

The album was not received well critically with most of the criticisms labelling the album as dated. Andy Gill of The Independent wrote:

The only single to be released from "Puppy" after the album's release was "Switch", which was put out in CD and vinyl format. The track was also featured on the soundtrack for the Electronic Arts video game Need For Speed Underground 2 but achieved nowhere near the critical or popular acclaim of the singles from "Risotto", not even clocking an appearance in the UK top 40.

Current work

In late 2005, Mike Bryant and Jon Fugler teamed up with Jan Burton, Wild Oscar, Robin Goodridge, Dilshani Weerasinghe, Marli Buck and producer Andy Gray to form 2 Bit Pie with a limited release of "Nobody Never". This track retained the rough vocals and electronic feel that was by now characteristic of Fluke, but had a stronger emphasis on live playback and real instruments.cite web |url=http://www.indian.co.uk/2bitpie/ |title=One Little Indian 2 Bit Pie Biography|accessdate=2006-11-09] cite web |url=http://www.ukdancerecords.com/house-trance-tribal-techhouse/progressive-hardhouse-techno-breaks.asp?pagetoshow=displaysingletune&catno=2BP001 |title=Uk Dance Records: 2 Bit Pie|accessdate=2006-11-09] In May 2006 there were club previews of two new 2 Bit Pie songs, "Little Things" and "Here I Come" (audio| 2 Bit Pie - Here I Come Radio Edit.ogg|sample).cite web |url=http://www.kcrw.com/find/robothelpers/pl/060518.html |title=KCRW playlist for 5/19/2006|accessdate=2006-11-09] A further 2 Bit Pie song made its debut at the Afterhours club event at KROQ on the 17th June 2006, entitled "Fly".cite web |url=http://www.kroq.com/afterhours/ |title=KROQ Afterhours Playlist|accessdate=2006-11-09] Finally, on September 4, 2006, 2 Bit Pie released their debut album, "2Pie Island", in the UK to minimal critical attention.

Mainstream popularity

Although Fluke have been producing music for the best part of two decades they remain relatively unknown to a large scale audience and the band members themselves are even less recognisable. Jon Fugler insisted in an interview with The Independent that the band's reclusivity was "less about selfish hedonism than the revival of 'a communal attitude that had long been forgotten'".cite news | first=Ben|last=Thompson|title=ROCK|work=The Independent|date=1993-10-17|page=The Sunday Review Page] The main sphere of influence where the band has had success is through their inclusion in advertisements, film and video game soundtracks.

Amongst the more prominent of these appearances was the 2003 film, The Matrix Reloaded, using the Fluke track "Slap It" renamed to "Zion" for compatibility with the film.cite web |url=http://www.amazon.co.uk/exec/obidos/ASIN/B00008W2OO |title=Amazon listing for The Matrix Reloaded|accessdate=2006-11-09]

Fluke's 1997 hit "Absurd" was featured in the trailer for 'Get Carter', in the strip club sequence of the 2005 film Sin City and the 'Whitewash Edit' is included on the 'Tomb Raider' soundtrack which tied in with a commercial deal for Ericsson who sponsored the Tomb Raider film and then went on to use "Absurd" in its commercials.cite web |url=http://www.amazon.co.uk/exec/obidos/ASIN/B0007VV7J0 |title=Amazon listing for Sin City|accessdate=2006-11-09] cite journal | author=Bouley, Charles Karel | title=NIN, U2 Rock For Elektra's 'Lara Croft.' | journal=Billboard | year=2001 | volume=113 | issue=25 | pages= 14] In addition, it was featured in the video game series NFL QB Club until its discontinuation in 2002. Where possible Fluke's licencing agent, David Steel at V2 Music, tries to ensure that when their tracks are used in films they also appear on the soundtrack album:

This kind of exposure was welcomed by members of the band, as Jon Fugler said in an interview with Billboard:

In 1997 Fluke's US sales totalled 14,000 which was modest compared with the 200,000 copies of Dig Your Own Hole that The Chemical Brothers sold.cite journal | author=Pride, Dominic | title=UK ponders appetite in U.S. for its artists | journal=Billboard | year=1997 | volume=109 | issue=49 | pages= 5] In an interview with Billboard magazine, Fugler stated that he felt that predicted figures for the US electronica boom were overhyped by people who were out of touch with the music scene; "The expectations came from the people who [had] nothing to do with the music, it came from the business level, people not involved with it." This lack of commercial success has not dampened the spirits of the band however, Fugler going on to say "It’s not about being on the cover of a magazine".

Live performances

Fluke's live shows are in many respects similar to the live performances given by The Chemical Brothers in that both these artists employ stunning visual effects combining lasers and projected displays.cite web |url=http://www.techno.cz/party/report/1998/fluke-o.htm |title=Techno.cz: showing lighting arrangement|accessdate=2006-11-09] Furthermore, Fluke's performances come in two varieties of show; performances as Fluke where the shows consist of entirely original Fluke material and shows under the alias "The Fluke DJs" whereby a combination of Fluke tracks are mixed with others in the style of a DJ Set. Unable to attract major crowds, Fluke resorted to "festival-style" tours along with other acts to draw in a sizeable audience as was seen with their participation in the "Electric Highway" tour in 1997 where they were joined by The Crystal Method and the "Pukkelpop" festival where they headlined along with Metallica amongst others.cite journal | author=Reece, Doug and Flick, Larry | title=Electronica: The beat goes on | journal=Billboard | year=1997 | volume=109 | issue=49 | pages= 5] cite news|first=Jennifer|last=Rodger|work=The Independent|date=1997-08-16|title=Where to find yourself a music festival.|page=11]

Contrasting with many other electronic acts, however, Fluke's members were never entirely relegated to standing behind consoles. This was due to their conscription of session musicians to play guitar (Neil Davenport) and percussive elements (Robin Goodridge) live on stage. From 1997 onwards their shows were further enhanced with the inclusion of the dancer and singer Rachel Stewart as a real-world incarnation of the band's mascot Ariel Tetsuo.cite web |url=http://www.vh1.com/artists/az/fluke/bio.jhtml |title=VH1: Fluke Biography|accessdate=2006-11-09] Originally a character from the Wipeout 2097 video game, Tetsuo was subsequently adopted as the band's "fourth member" following "Atom Bomb"'s inclusion in the Wipeout 2097 soundtrack. This also gave the perfect excuse to incorporate a female vocalist to counter Fugler's deep and somewhat monotonous spoken vocals. While Bryant and Tournier were indeed behind synthesizers, Fugler and Stewart were able to entertain the crowd visually with dancing and singing while Fluke's resident lighting technician, Andy Watton, provided a suitable technology-driven accompaniment to the music.cite web |url=http://www.electronicmusic.com/features/reviews/events/flukemars.html |title=ElectronicMusic.com Review of Fluke live in Seattle|accessdate=2006-11-09] In 2004, Stewart parted ways with Fluke indefinitely, instead focusing on a new project with ex-EMF band member James Atkin, named Beauty School.cite web |url=http://www.emf-theband.com/bsd/site/bio.asp |title=Beauty School Official Site: Biography|accessdate=2006-11-09]

The number of Fluke's live shows decreased significantly after the release of "Puppy" owing to their personal commitments to young families. However, in the few shows they have played since, they have opted for the Fluke DJs setup, which utilises "a battery of laptops and the odd deck" rather than focusing on their live stage band, an approach which Jon Fugler subsequently referred to as "good fun, but ultimately flawed for the dancefloor."

elected discography

Albums

*"The Techno Rose of Blighty" (1991)
*"Out (In Essence)" (1991)
*"Six Wheels On My Wagon" (1993)
*"Oto" (1995)
*"Risotto" (1997)
*"Progressive History X" (2001)
*"Progressive History XXX" (2002)
*"Puppy" (2003)

ingles

*"Island Life" (1988) (audio| Fluke - Island Life Mix 1.ogg|sample)
*"Thumper!" (1989)
*"Joni/Taxi" (1990)
*"Philly" (1990)
*"The Bells" (1991)
*"Slid" (1993) (audio| Fluke - Slid Glid.ogg|sample)
*"Electric Guitar" (1993)
*"Groovy Feeling" (1993) (audio| Fluke - Groovy Feeling Make Mine a 99.ogg|sample)
*"Bubble" (1994)
*"Bullet" (1995)
*"Tosh" (1995)
*"Atom Bomb" (1996) (audio| Fluke - Atom Bomb Atomix 1.ogg|sample)
*"Absurd" (1997)
*"Squirt" (1997)
*"Slap It" (2002)
*"Pulse" (2002) (audio| Fluke - Pulse.ogg|sample)
*"Hang Tough" (2003)
*"Switch" (2003) (audio| Fluke - Switch Twitch.ogg|sample)

References

External links

* [http://www.flukenet.info Official Site]
* [http://www.discogs.com/artist/Fluke Discogs.com - Fluke]
* [http://www.2bitpie.net 2 Bit Pie and Fluke fan site]
* [http://members.tripod.com/markolf/fluke.html Marcolphus' Discographies - Fluke]
* [http://www.global-trance.co.uk/fr_index.html?/Fluke.html "Global Trance Dance" - Fluke discography and reviews]

Fluke