Hellenism (neoclassicism)

Hellenism (neoclassicism)

Hellenism, as a neoclassical movement distinct from other Roman or Greco-Roman forms of neoclassicism emerging after the European Renaissance, is most often associated with Germany and England in the eighteenth and nineteenth centuries. In Germany, the preeminent figure in the movement was Johann Joachim Winckelmann, the art historian and aesthetic theoretician who first articulated what would come to be the orthodoxies of the Greek ideal in sculpture (though he only examined Roman copies of Greek statues, and was murdered before setting foot in Greece). For Winckelmann, the essence of Greek art was noble simplicity and sedate grandeur, often encapsulated in sculptures representing moments of intense emotion or tribulation. Other major figures include Hegel, Schlegel, Schelling and Schiller.

In England, the so-called "second generation" Romantic poets, especially John Keats, Percy Bysshe Shelley, and Lord Byron are considered exemplars of Hellenism. Drawing from Winckelmann (either directly or derivatively), these poets frequently turned to Greece as a model of ideal beauty, transcendent philosophy, democratic politics, and homosociality or homosexuality (for Shelley especially). Women poets, such as Mary Robinson, Felicia Hemans, Letitia Elizabeth Landon and Elizabeth Barrett Browning were also deeply involved in retelling the myths of classical Greece. [See especially Noah Comet, Isobel Hurst, and Yopie Prins.]

In art and architecture, the Greek influence saw a zenith in the early nineteenth century, following from a Greek Revival that began with archaeological discoveries in the eighteenth century, and that changed the look of buildings, gardens and cemeteries (among other things) in England and continental Europe. This movement also inflected the worlds of fashion, interior design, furniture-making--even hairstyles. In painting and sculpture, no single event was more inspiring for the movement of Hellenism than the removal of the Parthenon Marbles from Greece to England by Lord Elgin. The English government purchased the Marbles from Elgin in 1816 and placed them in the British Museum, where they were seen by generations of English artists. Elgin's activities caused a controversy that continues to this day. [See William St. Clair]

The Victorian period saw new forms of Hellenism, none more famous than the social theory of Matthew Arnold in his book, "Culture and Anarchy". For Arnold, Hellenism was the opposite of Hebraism. The former term stood for "spontaneity," and for "things as they really are; the latter term stood for "strictness of conscience," and for "conduct and obedience." Human history, according to Arnold, oscillated between these two modes. [See Warren Anderson and David DeLaura] Other major figures include Swinburne, Pater, Wilde, and Symonds. [See especially Linda Dowling.]

In the early nineteenth century, during the Greek War of Independence, many foreign parties--including prominent Englishmen such as Lord Byron--offered zealous support for the Greek cause. This particular brand of Hellenism, pertaining to modern rather than ancient Greece, has come to be called philhellenism. Byron was perhaps the best-known philhellene; he died in Missolonghi while preparing to fight for the Greeks against the Ottoman Turks.

References

Bibliography

[http://faculty.washington.edu/nh2/classes/527-06.htm] A website from a graduate course at the University of Washington with a strong bibliography.

Anderson, Warren D. "Matthew Arnold and the Classical Tradition". Ann Arbor: U of Michigan P, 1965.

Aske, Martin. "Keats and Hellenism: An Essay". Cambridge: Cambridge UP, 1985.

Bate, Walter Jackson. "The Burden of the Past and the English Poet". Cambridge: Harvard UP, 1970.

Bernal, Martin. "Black Athena". New Brunswick: Rutgers UP, 1987.

Bloom, Harold. "The Anxiety of Influence: A Theory of Poetry". London: Oxford UP, 1973.

Bush, Douglas. "Mythology and the Romantic Tradition in English Poetry". Boston: Harvard UP, 1937.

Butler, E. M. "The Tyranny of Greece over Germany". London: Cambridge UP, 1935; rpt. 1958.

Butler, Marilyn. "Myth and Mythmaking in the Shelley Circle," in "Shelley Revalued", ed. Kelvin Everest. Totowa, N.J.: Barnes & Noble, 1983.

Buxton, John. "The Grecian Taste: Literature in the Age of Neo-Classicism", 1740-1820. London: Macmillan Press, 1978.

Clarke, G. W., ed. "Rediscovering Hellenism: The Hellenic Inheritance and the English Imagination". London: Cambridge UP, 1989.

Clarke, M.L. "Greek Studies in England, 1730-1830". Cambridge: Cambridge UP, 1945.

Comet, Noah. "Letitia Landon and Romantic Hellenism." "The Wordsworth Circle," 37.2 (2006) 76-80.

Crook, J. Mordaunt. "The Greek Revival: Neo-Classical Attitudes in British Architecture, 1760–1870". London: J. Murray, 1972.

Crompton, Louis. "Byron and Greek Love: Homophobia in 19th-Century England". England: The Gay Men’s Press, 1985.

DeLaura, David. "Hebrew and Hellene in Victorian England." Austin: U of Texas P, 1969.

Dowling, Linda. "Hellenism and Homosexuality in Victorian England". Ithaca: Cornell UP, 1994.

Eitner, Lorenz, ed. "Neoclassicism and Romanticism, 1750–1850: Sources and Documents." Englewood Cliffs, N.J.: Prentice-Hall, 1970.

Ferris, David. "Silent Urns: Romanticism, Hellenism, Modernity". Stanford: Stanford UP, 2000.

Goldhill, Simon. "Who Needs Greek? Contests in the Cultural History of Hellenism". London: Cambridge UP, 2002.

Harding, Anthony. "The Reception of Myth in English Romanticism". Columbia, Mo.: U of Missouri P, 1995.

Helmick, E.T. “Hellenism in Byron and Keats.” "Keats-Shelley Memorial Bulletin" 22 (1971): 18–27.

Highet, Gilbert. "The Classical Tradition: Greek and Roman Influences on Western Literature". London: Oxford UP, 1976.

Hurst, Isobel. "Victorian Women Writers and the Classics: The Feminine of Homer". London: Oxford UP, 2006

Jenkyns, Richard. "The Victorians and Ancient Greece". Oxford: Basil Blackwell, 1980.

Levin, Harry. "The Broken Column: A Study in Romantic Hellenism". Cambridge: Harvard UP, 1931.

Marchand, Suzanne. "Down from Olympus: Archaeology and Philhellenism in Germany, 1750–1970" Princeton: Princeton UP, 1996.

Miller, Edward. "That Noble Cabinet: A History of the British Museum". London: Andre Deutsch Ltd., 1973.

Prins, Yopie. "Victorian Sappho". Princeton: Princeton UP, 1999.

Protopsaltis, E.G. "Byron and Greece," in "Byron's Political and Cultural Influence in Nineteenth-century Europe", ed. Paul Graham Trueblood. London: Macmillan, 1981.

Roessel, David. "In Byron's Shadow: Modern Greece in English and American Literature from 1770 to 1967". New York: Oxford UP, 2001.

St. Clair, William. "Lord Elgin and the Marbles". 3rd ed. Oxford: Oxford UP, 1998.

---. "That Greece Might Still Be Free: The Philhellenes in the War of Independence". London: Oxford UP, 1972.

Spender, Harold. "Byron and Greece". London: John Murray, 1924.

Stern, Bernard Herbert. "The Rise of Romantic Hellenism in English Literature, 1732-1786". New York: Octagon Books, 1969.

Turner, Frank. "The Greek Heritage in Victorian Britain". New Haven: Yale UP, 1981.

Vrettos, Theodore. "A Shadow of Magnitude: The Acquisition of the Elgin Marbles". Toronto: Longman, 1974.

Webb, Timothy. "English Romantic Hellenism, 1700-1824." Manchester: Manchester UP, 1982.

Winterer, Caroline. "The Culture of Classicism: Ancient Greece and Rome in American Intellectual Life, 1780–1910". Baltimore: Johns Hopkins UP, 2002.

Woodhouse, C.M. "Modern Greece: A Short History." London: Faber & Faber, 1968.


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