Of Montreal

Of Montreal
Of Montreal

of Montreal performing in Athens, Georgia, on March 24, 2005
Background information
Origin Athens, Georgia
Genres indie pop, indie rock, neo-psychedelia, psychedelic pop, funk, R&B
Years active 1996–present
Labels Polyvinyl, Kindercore, Bar/None
Website www.ofmontreal.net
Members
Kevin Barnes
Bryan Poole
Dottie Alexander
Davey Pierce
Clayton Rychlik
K Ishibashi
Nicholas Dobbratz
Thayer Sarrano
Past members
Julian Koster
Andy Gonzalez
Derek Almstead
Jason NeSmith
Matt Dawson
Nina Barnes
Ahmed Gallab
James Huggins

Of Montreal is an American rock band from Athens, Georgia. It was founded by frontman Kevin Barnes in 1996, named after a failed romance with a woman "of Montreal." The band is one of the bands of the Elephant 6 collective. Throughout its existence, of Montreal's musical style has evolved from vaudeville and Beatles influenced psychedelic twee pop to a mixture of electronica, funk, glam, and afrobeat music influenced by Prince and David Bowie.

Contents

History

Early years

Kevin Barnes founded Of Montreal, allegedly naming it for a failed romance with a woman from Montreal, Québec.[1] Barnes was the only member of the "group" prior to his relocation to Athens, Georgia. There, he met Derek Almstead (Circulatory System, M Coast, Elf Power) and Bryan Poole, who also performs as The Late B.P. Helium. Together, they recorded their debut album, Cherry Peel, and subsequent releases The Bird Who Ate the Rabbit's Flower and The Bedside Drama: A Petite Tragedy.

After production on The Gay Parade, the band's third album, began in 1998, Poole left the band to focus on his duties with Elf Power, another Elephant Six band.[1] Barnes then recruited James Husband and Dottie Alexander, who had been performing together as Lightning Bug vs. Firefly.[2] Derek moved from drums to bass, and Marshmallow Coast's Andy Gonzales joined soon after. Prior to the release of The Gay Parade in 1999, of Montreal released a number of singles and a re-release of The Bird Who Continues to Eat the Rabbit's Flower.

Kindercore (1999–2002)

Following the release of The Gay Parade, the band signed with Kindercore Records, who released a number of singles and compilations. In 2001, the concept album Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse was released, again featuring contributions from across the Elephant Six spectrum.

In 2002, Aldhils Arboretum was released. This album marks the beginning of the change in of Montreal's sound, with more danceable rhythms than before, particularly on the album's closer, "Death Dance Of The Omipapas and Sons For You". A successful tour ensued, including the band's first trip to the UK, along with a tour-only EP.

Polyvinyl (2004–present)

Kindercore Records would fold shortly after the release of Arboretum, and Andy and Derek left the band. Barnes took to writing and performing their 2004 album Satanic Panic in the Attic mostly by himself. Released by Polyvinyl Records, it became one of their more successful efforts to that point. During the tour for Satanic, the Late B.P. Helium (Bryan Poole) rejoined the band. In 2003, Kevin was married to Nina Grøttland, who would also play some bass for the tour. The album marked a shift to an electronic bass, with drum machines and synthesizers featured in singles such as "Disconnect the Dots."

This style would continue to evolve into 2005's The Sunlandic Twins, which was even more of a solo effort by Barnes. Recorded in Athens, with the exception of one track recorded in Norway, it was a much more pronounced electronic album. The album became a success, mostly due to the singles "So Begins Our Alabee" and the MTV clip for "Wraith Pinned to the Mist (and Other Games)". The band released several collections of singles in early 2006.

Kevin Barnes recorded most of the band's 2007 release, Hissing Fauna, Are You the Destroyer?, by himself while living in Norway and Athens, Georgia. Barnes also released a companion CD to Hissing Fauna, Are You the Destroyer? called Icons, Abstract Thee.[3] In 2007, Kevin Barnes performed five songs nude during a performance in Las Vegas.[4] In Paris, they did a Take-Away Show acoustic video session shot by Vincent Moon.

Dottie Alexander on stage with of Montreal on January 24, 2009 in Brighton, UK.

of Montreal's next album, Skeletal Lamping, was released on October 21, 2008. It was released in ten different formats, including conventional CD and vinyl, as well as t-shirts, button sets, wall decals, tote bags, and a paper lantern, the latter formats complete with a digital download code for the album.[5] All items for the collection were designed by The Bee With Wheels (David Barnes) and Gemini Tactics (Nina Barnes). In an essay addressing the concept behind the album's release, Kevin Barnes stated, "We feel that there's no reason to produce another object that just sits on a shelf. We only want to produce objects that have a function and that can be treasured for their singularness."[6] In an interview with NPR, Kevin Barnes revealed that the concept of the CD may be going the way of the 8-track in favor of MP3 downloads. David Barnes joked that fans would buy the album via MP3 download and the version that comes with an amazing sandwich.[7] The album reached number one on emusic's Most Downloaded Albums Chart.[8] The video for the album's second single, "An Eluardian Instance", was directed by Jesse Ewles.

In recent years, the band has lent its songs many times to commercials, television programs, and films. The song "Wraith Pinned to the Mist (And Other Games)" can be heard on radio and television commercials (with words changed) for an advertisement for Outback Steakhouse.[9] Similarly, their song "Every Day Feels Like Sunday" was used in television commercials for NASDAQ.[10] "A Sentence of Sorts In Kongsvinger" was used in a Comcast commercial.[11] "Gronlandic Edit" was used for a T-Mobile commercial which also featured the band as actors.[12]

Polyvinyl and Joyful Noise Recordings (2010–present)

Teaming up with Grammy-nominated producer Jon Brion (Kanye West, Fiona Apple), of Montreal's mastermind Kevin Barnes traveled to famed Ocean Way Recording (Michael Jackson, Ray Charles, Frank Sinatra) to record False Priest, his self-professed masterpiece.[citation needed] As discussed in features in Rolling Stone, SPIN, Under the Radar and Pitchfork, False Priest is speaker-rattling heavy on the low end and features appearances by Janelle Monae and Solange Knowles (Beyonce's sister). The album also marks the return of organic instruments—with live drums, strings and pianos replacing the midi sounds and sequencers of previous albums. The cassette edition of "False Priest" was limited to 500 hand-numbered copies through Joyful Noise Recordings. The artwork features a 10-panel booklet containing paintings and re-interpretations of paintings by David Barnes, Nina Barnes, and Kevin Barnes. The tape was pressed on a red cassette, matching the artwork, and included MP3s and FLAC audio.

On October 25, 2011 of Montreal released a Cassette Box Set of all 10 full-length albums via Joyful Noise Recordings. The release was limited to 500 hand-numbered copies, and housed in a custom-built wooden box (screen-printed with original artwork from David Barnes). Each of the 10 cassettes were pressed on multi-colored tape shells and included original album art. Like their previous cassette release, MP3 download was included. [13]

Kevin Barnes has hinted on Twitter that of Montreal's next studio album will be titled "Paralytic Stalks".[14] Kevin Barnes has revealed some information on the new album in an interview with Pitchfork Media.[15] On 20 October 2011 Barnes announced that the new album was complete.[16]

Style

Kevin Barnes singing atop a masked David Barnes in Baltimore in 2007.

The group has a style that is typical of many Elephant 6 bands due to its interest in combining musical experimentation and the basic tenets of pop, such as catchy melodies and sing-along choruses. The band's style has been influenced by not only more conventional indie pop and psychedelic music, but also by vaudeville and music hall on their earlier releases and by afrobeat, funk, and krautrock in their more recent releases.

Kevin Barnes, Jamey Huggins, and Matt Dawson on stage in Sweden, 2005.

The band's style has been known to change between albums. At first, the band embraced a more simple, quirky, lo-fi indie pop sound, which occasionally bordered on twee pop. Later the band moved to a fuller sound, as seen on the concept albums The Gay Parade and its follow-up, Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse. These albums contain more narrative lyrics, and often imitating the style of old 1950s radio plays.

2004's Satanic Panic in the Attic marked the result of an evolving change in style. The sound shifted to something more electronic, although at this point still with more standard instrumentation, and prominent guitars on most tracks, with more traditional pop and rock structures, to be further advanced in later albums and new songs. In their most recent releases and concerts, the band has fully embraced a sort of techno-pop glam image, with little of their previous incarnations surfacing.

Kevin Barnes and B.P. Helium on stage in San Francisco, 2007.

Lyrically, their style has changed dramatically throughout the years. In the beginning, many songs were narratives of personal or humorous situations, such as "Tim, I Wish You Were Born A Girl", from Cherry Peel. This style, however, changed with The Gay Parade, where many songs involve small narratives surrounding invented characters (in songs such as "Jacques Lamure", "The Autobiographical Grandpa", "Mimi Merlot" and "Rose Robert"). Others act as extracts from fictional conversations ("Advice From a Divorced Gentleman to His Bachelor Friend Considering Marriage" and "Good Morning Mr. Edminton" as examples). With Aldhils Arboretum came a slight return to the previous writing style, except following more poppy, classical lyrical structures (such as the use of choruses, which are generally absent in the Gay Parade/Coquelicot years). This style continued throughout Satanic Panic and The Sunlandic Twins to some extent.

Another characteristic of the band is the fusion of ostensibly gloomy lyrics with bouncy, upbeat melodies and hooks. For example, the lyrical themes of songs like "Doing Nothing" and "Old People in the Cemetery" (from Aldhils Arboretum) include apathy, loneliness and death, while the instrumentation is generally upbeat. Another example of this tendency is shown in their choice of cover songs; for example, Yoko Ono's "I Feel like Smashing my Head Through a Clear Glass Window" from The Bird Who Continues to Eat the Rabbit's Flower.

Side projects

True to the style of most Elephant Six recording artists, of Montreal's members have been in a variety of side project with other bands:

Discography

References

  1. ^ a b Emami, Gazelle Interview: of Montreal’s Bryan Poole, The Daily Californian, January 29, 2007
  2. ^ 6 Questions with: Dottie Alexander, Optical Atlas, March 16, 2006
  3. ^ Aversion.com: Desperate Measures, by Matt Schild. Retrieved 29 January 2007.
  4. ^ Pitchfork: NSFW: of Montreal's Kevin Barnes NAKED!
  5. ^ The Skeletal Lamping Collection
  6. ^ 'We Will Only Propagate Exceptional Objects'
  7. ^ Ganz, Jacob (2009-12-03). "NPR: The Decade In Music: How Musicians Create". National Public Radio. http://www.npr.org/templates/story/story.php?storyId=121061383. Retrieved 2009-12-04 
  8. ^ November 14, 2008 issue of Entertainment Weekly
  9. ^ "Kevin Barnes: "Selling out isn't possible" | Vancouver, Canada". Straight.com. 2007-11-17. http://www.straight.com/article-119196/kevin-barnes-selling-out-isnt-possible. Retrieved 2010-09-12. 
  10. ^ "You Ain't No Picasso". Youaintnopicasso.com. http://www.youaintnopicasso.com/2006/10/07/of-montreal-everyday-feels-like-sunday/. Retrieved 2010-09-12. 
  11. ^ "If You Like of Montreal, Maybe You Will Also Like Comcast HD". Stereogum. 2009-01-20. http://stereogum.com/46711/if_you_like_of_montreal_maybe_you_will_also_like_c/franchises/commercial-appeal/. Retrieved 2010-09-12. 
  12. ^ "Post: of Montreal and Band of Horses... or, to sell a song for a commercial or not to sell a song for a commercial? | Indianapolis, Indiana". Indy.com. 2007-11-21. http://www.indy.com/posts/of-montreal-and-band-of-horses-or-to-sell-a-song-for-a-commercial-or-not-to-sell-a-song-for-a-commercial. Retrieved 2010-09-12. 
  13. ^ http://www.joyfulnoiserecordings.com/news/89
  14. ^ https://twitter.com/#!/ninatwin/status/114049413491597312
  15. ^ http://pitchfork.com/news/43989-of-montreals-kevin-barnes-talks-new-album-cassette-box-set-his-career/
  16. ^ https://twitter.com/#!/xxofMontrealxx/status/127030427788640257
  17. ^ InSound: Artist Info: Inkwell
  18. ^ InSound: Artist Info: Sinkane
  19. ^ Q&A: Solange Knowles On Why Working With Kevin Barnes "Makes All the Fucking Sense in The World"
  20. ^ Kishi Bashi To Tour With Sondre Lerche. Release EP on Aerobic International.
  21. ^ http://pitchfork.com/news/43989-of-montreals-kevin-barnes-talks-new-album-cassette-box-set-his-career/

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