Achille Castiglioni

Achille Castiglioni (Milan, 1918-2002) was a renowned industrial designer. He was often inspired by everyday things and made use of ordinary materials. He uses the minimal amount of materials while creating forms with a maximum effect.

Biography

Achille Castiglioni studied architecture at the Politecnico di Milano University and set up a design office in 1944 with his brothers, Livio Castiglioni and Pier Giacomo Castiglioni.

The Castiglioni brothers

The teamwork and professional partnership that came out from the work of Achille Castiglioni, Livio Castiglioni and Pier Giacomo Castiglioni gave birth to the so-called "Castiglioni brothers" team. Livio then left in 1952. This group have become one of the most witty, elegant and innovative partnerships in modern design. The brothers worked from the viewpoint that design must restructure an object's function, form and production process, and applied this maxim to every work that they produced. Castiglioni described this process with these words: "Start from scratch. Stick to common sense. Know your goals and means".

The Castiglionis' Work

In the 1950s the "Castiglioni brothers" publicly cemented their commitment to redesigning objects, with their tractor seat stool, Mezzadro and their Sella chair made of a bicycle seat. Castiglioni said of his design for the Sella, "When I use a pay phone, I like to move around, but I also would like to sit, but not completely." These designs drew upon the ready made school of art, in which everyday objects are repurposed for the showroom floor.

The chairs also embrace Castiglioni's theory of a Principal Design Component, or PDC, which the designer has found and is building upon within his design.

=The Creation of ADI=

In 1956, Castiglioni founded the ADI (Association for Industrial Design).

The Fifties and Sixties creations

During the fifties and sixties the "Castiglioni brothers" produced a remarkable number of popular designs. Their "Spalter" vacuum cleaner (1956), manufactured by Rem, was made of bright red plastic and was meant to be slung across the user's back with a leather strap, like a bag. Their lamps, the minimalist "Luminator" (1955) and "Bulb" (1957), employed exposed bulbs. In 1957 they held a show entitled, "Forme e Colori nella Casa d'Oggi" (Shapes and Colours in Today's Home) at "Villa Olmo" in Como, to exhibit their series of ready made designs.

In 1962 they introduced their "Arco", which was a floor lamp with a long, curved arm extending eight feet from the marble base which had to be moved "by two people inserting a broomstick through the hole in the base.

"Their"Snoopy Lamp of 1967 was a table lamp, indeed inspired by the cartoon character, also had a marble base, which stabilized the egg-shaped metal and glass shade. Their "Toio" (1962) lamp again turned to the PDC method, using a car reflector as its inspiration. Their lighting system for the Montecatini pavilion at the Milan Fair in 1962 featured cone shaped lights suspended from wires.

The Castiglionis also designed the "RR126" stereo system (1965) which was meant to be a "musical pet," and was considered to be one of his "Expressionistic Objects." The dials and controls form the shape of a face, with the speakers as ears. This design, for Brionvega, was free standing, with casters to make it mobile, and the speakers folded up when not in use, to make the design more compact.

Post-formalist Seventies and Eighties

In 1982 Castiglioni created the cutlery design called "Dry" for Alessi, Alessi's first cutlery line and a seminal product. The design was something of a reaction to the over-formalist, over-functionalist decades of particularly Scandinavian design.

The University Lessons

Castiglioni taught for many years, first at the [http://www.polito.it Politecnico of Turin University] , in 1969 and later leading a class in Industrial Design at the faculty of Architecture at Politecnico di Milano University, to a group of several thousand students.

The Exhibits & Awards

Castiglioni has exhibited his designs at every Milan Triennial since 1947 and has received seven Compasso d'Oro awards.

His Method

Castiglioni's method, to have "a constant and consistent way of designing, not a style" led him to help create new products to restore Italy's quality of life in the post-war years and to innovate upon the household object.

Most of Castilglioni's products are design classics and are still in production under licence. The MoMA has his most important designs in its permanent collection.

Family

Castiglioni has a daughter Monica Castiglioni who is a jewellery designer. She owns the design store Anthias in Milan. She lives and works between Milan and New York.

External links

* [http://www.r20thcentury.com/bios/designer.cfm?article_id=40 Biography of Achille Castiglioni]
* [http://www.moma.org/exhibitions/1997/castiglioni/ MoMA 1997 Exhibition]
* [http://www.evanizer.com/castiglioni/castiglioni.html Castiglioni Objects @ evanizer.com]
* [http://www.anthiasnyc.com ANTHIAS - Monica Castiglioni & Natsuko Toyofuku]
* [http://www.bonluxat.com/d/achille-castiglioni.html Achille Castiglioni Furniture Designs]
* [http://www.achillecastiglioni.it/ Achille Castiglioni official site]
* [http://projects.interaction-ivrea.it/e1/castiglioni/siteprototype_ver02/studio.htm His projects on Interaction Ivrea]