- Kishore Kumar
Infobox Musical artist
Name = Kishore Kumar
Background = solo_singer
Birth_name = Abhas Kumar Ganguly
Born = Birth date|1929|8|4
Khandwa, Central Provinces and Berar
Died = death date and age|1987|10|13|1929|8|4
Instrument = Vocalist
Genre = Bollywood and regional
filmiplayback, Rabindra Sangeet
Occupation = Singer, Actor, Director, Musician
Years_active = 1946–1987
Kishore Kumar (
Hindi: किशोर कुमार) ( August 4, 1929– October 13, 1987) was an Indian film playback singerand actor. He also achieved notable success as a lyricist, composer, producer, director, screenwriter and scriptwriter.
Kishore Kumar was a prolific vocalist and sang in many Indian languages including Hindi, Bengali, Marathi, Assamese, Gujarati,
Kannada, Bhojpuri, Malayalamand Oriya. Along with Mohammed Rafi, and Mukesh, he was one of the leading male Bollywoodplayback singers from the 1950s to the mid-1980s.
In October 1987, he died following a massive heart attack. He had been married four times and was survived by his two sons
Amit Kumar, who made his career in playback singing in Bollywoodand Bengali films, and Sumit Kumar
Kishore Kumar was born Abhas Kumar Ganguly (
Bengali:আভাষ কুমার গাঙ্গুলি) into a Bengali family in the Khandwatown of Central Provinces and Berar, British India(now in the Indian state of Madhya Pradesh). His father Kunjalal Ganguly was a lawyer, and his mother Gouri Devi came from a wealthy family. Abhas Kumar was the second youngest of four siblings, the other three being Ashok Kumar(the eldest), Sati Devi, and Anoop Kumar.
While Abhas Ganguly was still a child, Ashok Kumar became a popular
Bollywoodactor. Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar. Spending time with his brothers, Abhas Kumar too started to take a keen interest in the movies and music. He became a fan of singer-actor Kundan Lal Saigal(whom he considered his guru).
Early days in Hindi film industry
Ashok Kumarbecame a Bollywood star, the Ganguly family used to visit Mumbairegularly. Abhas Kumar changed his name to Kishore Kumar and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. His first film as an actor was "Shikari" (1946), in which Ashok Kumar played the lead role. Music director Khemchand Prakash gave him a chance to sing the song "Marne ki duayen kyon mangu" for the film "Ziddi" (1948). After this, Kishore Kumar got many other assignments, but he was not very serious about a film career. Filmfare(November 1-15, 1987)] In 1949, he decided to settle in Mumbai.
Kishore Kumar played hero in the Bombay Talkies film "Andolan" (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a successful singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.cite web
url = http://timesofindia.indiatimes.com/Opinion/Sunday_Specials/Special_Report/Unforgettable_Kishore/articleshow/2435600.cms
title = Unforgettable Kishore
author = Avijit Ghosh
The Times of India
October 7, 2007
Bimal Roy's "Naukri" (1954) and Hrishikesh Mukherjee's directorial debut "Musafir" (1957). Salil Chowdhury, the music director for "Naukri" was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music.cite web
title=Repertoire Unlimited: Remembering Kishore Kumar
accessdate=2007-07-13] However, after hearing his voice, he gave him the song "Chhota sa ghar hoga", which was supposed to be sung by
Rise to fame
After facing difficulties in the initial stage of his acting career, Kishore Kumar achieved success as a comic hero with movies like "New Delhi" (1957), "Aasha" (1957), "
Chalti Ka Naam Gaadi" (1958), "Jhumroo" (1961), " Half Ticket" (1962), and " Padosan" (1968). " Chalti Ka Naam Gaadi", his home production, starred the three Ganguly brothers, and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving eccentric brothers.
Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of "Mashaal" (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K L Saigal. He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal. Kishore Kumar did not have a formal training in music. [ cite web
title=Remembering Kishore Kumar
October 13, 2000
accessdate=2007-07-13] He kept Burman's advice in mind, and eventually developed his own style of singing, which prominently featured the
yodelingthat he had heard on some records bought by his brother Anoop. In the Bollywood music circles, yodeling became Kishore's trademark.
S. D. Burman recorded with Kishore for
Dev Anand's " Munimji" (1954), " Taxi Driver"(1954), "House No 44" (1955), "Funtoosh" (1956), " Nau Do Gyarah" (1957), " Paying Guest" (1957), "Guide" (1965), " Jewel Thief" (1967), " Prem Pujari" (1970), and "Tere Mere Sapne" (1971). He also composed music for Kishore Kumar's home production " Chalti Ka Naam Gaadi" (1958). Some of their initial hits included "Maana janaab ne pukara nahin" from "Paying Guest", "Hum hain raahi pyar ke" from "Nau Do Gyarah" (1957), "Ai meri topi palat ke aa" from "Funtoosh", and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from " Chalti Ka Naam Gaadi" (1958). When S. D. Burman was not on good terms with Lata Mangeshkar during 1957-62, he gave patronage to her younger sister, Asha Bhosle. The Asha Bhosle-Kishore Kumar duets composed by S. D. Burman also became very popular. Some of these include "Chhod Do Aanchal" from Paying Guest(1957), "Ankhon Mein Kya Ji" from " Nau Do Gyarah" (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi(1958), "Chhedo Na Meri Zulfein" from "Ganga Ki Lahren" (1964), and "Arre Yaar Meri Tum Bhi Ho Gajab" from "Teen Devian" (1965). C. Ramchandrawas another music director who recognized Kishore Kumar's talent as a singer. One of the most popular C. Ramchandra-Kishore Kumar hits is "Eena Meena Deeka" from "Aasha" (1957). Kishore Kumar also gave a few hit songs with other music directors; for example, "Nakhrewaali" from "New Delhi" (1956 by Shankar Jaikishan, and "C.A.T..Cat Maane Billi" and "Hum To Mohabbat Karega" from " Dilli Ka Thug" (1958 by Ravi).
Kishore Kumar produced, directed, and acted in the film "Jhumroo" (1961). He wrote the lyrics for the title song, "Main Hoon Jhumroo", and composed music for all the songs in the film. Later, he produced and directed the serious film "Door Gagan Ki Chhaon Mein" (1964). He also wrote the script and composed music for the film. The film is based on the relationship between a father (Kishore Kumar), and his deaf and mute son (played by his real-life son,
Amit Kumar). The movie achieved critical success, which perhaps motivated him to make another two films called "Door Ka Rahi" (1971) and "Door Waadiyon Mein Kahin" (1980).
In the 1960s, as an actor, Kishore Kumar built up a notoriety for coming late for the shootings, or bunking them altogether.. His films flopped frequently, and he also landed in income-tax trouble. As a singer, he had some hit songs to his credit, including "Zaroorat Hai Zaroorat Hai" from "Manmauji" (1961), "Gaata Rahe Mera Dil" from "Guide" (1964), and "Yeh dil na hota bechara" from "
Jewel Thief" (1967).
In the late 1960s, S. D. Burman's son,
Rahul Dev Burmanstarted patronizing Kishore Kumar. Their first notable success was the soundtrack of the film " Padosan" (1968), in which Kishore Kumar sang the popular songs "Mere Saamne waali khidki mein" and "Kehna hai". "Padosan" was a comedy film staring Kishore Kumar as a dramatist-musician, Mehmoodas a Carnatic musicand dance teacher, and Sunil Dutt as a simpleton called Bhola. Kishore Kumar's character in the film was inspired by the personality of his uncle, Dhananjay Banerjee (a classical singer). The highlight of the film was a musical, comical duel between Kishore Kumar-Sunil Dutt and Mehmood, "Ek Chaturnar Karke Singaar".
Rise as the top playback singer
Shakti Samantaproduced and directed the film "Aradhana", for which the music was composed by S. D. Burman. S. D. Burman fell ill after recording some duet songs with Mohammed Rafi, Asha Bhosale, Lata Mangeshkarand Kishore Kumar. Afterwards, his son and assistant R. D. Burman took over the recording. R. D. Burman got Kishore Kumar to solo sing the songs "Mere Sapno Ki Rani" and "Roop Tera Mastana", which became smash hits. Kishore Kumar won his first Filmfare award for the song "Roop Tera Mastana".
Kishore Kumar sang for all leading actors in 1970s, including
Rajesh Khanna, Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Dev Anand, and Rishi Kapoor.
S. D. Burman and Kishore continued to churn out several hit songs together, including "Phoolon Ke Rang Se" and "Shokhiyon Mein Ghola Jaaye" from
Prem Pujari(1969), "Aaj Madhosh Hua Jaaye Re", "Khilte Hain Gul Yahan" and "O Meri Sharmilee" from Sharmilee(1971), "Meet na mila" from Abhimaan(1973), "Pyaar Ke Is Khel Mein" from Jugnu. In 1975, S. D. Burman composed his last song for Kishore Kumar. S. D. Burman went into a coma for the second time, soonafter Kishore recorded the song "Badi Sooni Sooni Si Hai Zindagi" for the film Mili.cite web
title=The Aradhana Syndrome
R. D. Burman considered Kishore Kumar his favorite singer, and recorded several hit songs with him in the 1970s. In the superhit Bollywood film,
Sholay(1975), he asked Kishore Kumar to sing for both Amitabh Bachchanand Dharmendra. Some of the popular Kishore Kumar-R. D. Burman songs include "O Maajhee Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh jo mohabbat hai" from Kati Patang(1971), "Kuchh to log kahenge" from Amar Prem(1972), "Raat Kali Ek Khwab Mein Aayee" from Buddha Mil Gaya(1971), "Musafir hoon yaaron" from Parichay(1972), "Diye jalte hain" from Namak Haraam(1973), "Meree bheegee bheegee si" from Anamika (1973), "Zindagee Ke Safar Mein" from Aap Ki Kasam(1974), "Agar Tum Na Hote", "Humein Tum Se Pyaar Kitna", "Mere Naina Saawan Bahado", and "Chingari Koi Bhadke" ( Amar Prem) .
R. D. Burman also recorded several hit duets with Kishore Kumar, and
Asha Bhosleand Lata Mangeshkar. Some of these duets include "Panna Ki Tamana" from Heera Panna(1973), "Neend Chura Ke Raaton Mein" from the film Shareef Badmash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film "Rocky" (1981).
Apart from the Burmans, Kishore Kumar worked with other major music directors as well. The composer duo
Laxmikant-Pyarelal(L-P) also composed many hit songs sung by Kishore Kumar. Some of their hit songs include "Mere Mehboob Qayamat Hogi" from Mr. X In Bombay, "Mere Naseeb Mein Aye Dost" from Do Raaste, "Yeh Jeevan Hai" from Piya Ka Ghar, "Mere Dil Mein Aaj Kya Hai" from Daag, "Nahi Mai Nahi Dekh Sakta" from Majboor, "Mere diwanepan ki bhi" from Mehboob Ki Mehendi, "Naach Meri Bulbul" from Roti, "Chal Chal Mere Haathi" from Haathi Mere Saathi, "Gaadi Bula Rahi Hai" from Dost, "Ruk Jaana Nahi" from Imtihaan, "Ek Ritu Aaye" from Gautam Govinda, "My Name Is Anthony Gonsalves" from Amar Akbar Anthony"Bohot Khoobsurat Jawan Ek Ladki" from Dostanaand "Om Shanti Om" as well as "Paisa Yeh Paisa" from Karz.L-P, whose favorite singer was Lata Mangeshkar, also composed several hit Kishore-Lata duets, including "Achchha To Hum Chalte Hain" from Aan Milo Sajna, "Gore Rang Pe Na Itna" from Roti, "Main Solah Baras Ki" from Karz, and "Din Mahine Saal" from Aavtar. L-P also got Kishore Kumar and Rafi to sing duets for the films Dostana, Ram Balramand Deedaar-E-Yaar. Kalyanji-Anandjirecorded several hit songs with Kishore Kumar including "Zindagi Ka Safar" from Safar, "Pal Pal Dil Ke Paas" from Black Mail, "Apne Jeevan Ki Uljhan" from Uljhan, "Mera Jeevan Kora Kagaz" from Kora Kagaz, "O Saathi Re" from Muqaddar Ka Sikander, "Khaike Paan Banaraswala" from Don, "Neele Neele Ambar Par" from Kalakarand "Pal Bhar Ke Liye" from Johny Mera Naam.
The new composers such as
Rajesh Roshan, Sapan Chakravarty(who had earlier worked as R. D. Burman's assistant), and Bappi Lahirialso worked with Kishore Kumar. Rajesh Roshan's first hit film Juliefeatured hit songs sung by Kishore Kumar, "Bhool Gaya Saab Kuch" (duet with Lata Mangeshkar) and "Dil Kya Kare Jab Kisise". Their other hits include "Chhookar mere man ko" from Yaaranaand "Tune abhi dekha nahin" from Do Aur Do Paanch. Bappi Lahirialso recorded many popular songs with Kishore Kumar, including "Pag Ghunghroo" from Namak Halal(1982), "Manzilen Apni Jagah Hai" from Sharaabi(1984) and "Chalte chalte mere ye geet" from Chalte Chalte(1976).
During the Indian Emergency,
Sanjay Gandhiasked Kishore Kumar to sing for a Congress rally in Mumbai, but Kishore Kumar refused. [cite web
title=The spark that he was
accessdate=2007-07-13] As a result, the Government put a ban on playing Kishore Kumar songs on the
All India Radioor television. [cite book
last = Sharma
first = Dhirendra
year = 2005
publisher = Popular Prakashan
isbn = 8179912132
pages = 133
chapter = A Comedy King and Superstar] But Kishore Kumar refused to apologize. Finally, the ban was lifted after some prominent producers and directors lobbied against it.
Kishore Kumar produced and directed some movies in the late 1970s and early 1980s, such as "Badhti Ka Naam Daadhi" (1978), "Zindagi" (1981) and "Door Wadiyon Mein Kahin" (1982). But none of these films did well at the box-office. His last appearance as an actor was in "Door Wadiyon Mein Kahin".
With patronage from R. D. Burman and Rajesh Roshan Kishore Kumar's son
Amit Kumaralso became a leading Bollywood singer in the 1980s. Kishore Kumar also continuted singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.
Kishore Kumar stopped singing for
Amitabh Bachchanin the mid-1980s, after Amitabh didn't do a guest appearance in a film produced by him. He also stopped singing for the actor Mithun Chakraborty, after Yogeeta Balidivorced him and married Mithun.
In mid-1980s, Kishore Kumar sang for
Anil Kapoorin his Kapoor's debut film, "Woh Saat Din" and also recorded for his first superhit " Mr. India". He also recorded some popular songs for the film "Saagar" with R. D. Burman. By this time, he had decided to retire and was planning to go back to his birthplace, Khandwa." [Kishore Kumar - A Tribute] . Filmfaremagazine. November, 1987.] However, on October 13 1987, he died of a heart attack in Mumbai. His body was taken to Khandwa for cremation. He recorded his last song a day before he died. The song was "Guru O Guru", a duet with Asha Bhosle, for the film "Waqt ki Aawaz" (1988) composed by Bappi Lahirifor Mithun Chakraborty.
Kishore Kumar's voice inspired many upcoming Bollywood singers, including
Kumar Sanu, Abhijeet, Vinod Rathodand Babul Supriyo. After his death, many of his songs have been remixed or re-sung by several artists.
Kishore Kumar's song "Pal Bhar Ke Liye" from the film "
Johny Mera Naam" (1970) was used in an episode of The Simpsonstitled Kiss Kiss Bang Bangalore. His songs have also been featured in several films, including Such a Long Journey(1998) and Side Streets(1998).
Kishore Kumar married four times. His first wife was
Ruma Guha Thakurtaaka Ruma Ghosh. Their marriage lasted from 1950 to 1958. Kishore Kumar's second wife was the famous actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi(1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to Londonfor treatment. She didn't know about the condition that she was suffering from, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore Kumar in 1960. Madhubala was a Muslim, and the two had a civil marriage, for which Kishore Kumar reportedly converted to Islam and changed his name to "Karim Abdul". [cite web
url = http://timesofindia.indiatimes.com/articleshow/30899810.cms
title = Kishore Kumar
The Times of India
date = 2002-12-10
accessdate = 2007-07-13]
His family was against the marriage, and the couple also had a
Hindumarriage to please them, but Madhubala was not accepted by them. The doctors in London told Madhubala that she would not live for long. The marriage lasted for 9 years, and ended with Madhubala's death on February 23, 1969. Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to August 4, 1978. Kishore Kumar was married to Leena Chandavarkarfrom 1980 until his death.
Kishore Kumar had two sons:
Amit Kumar(playback singer) from Ruma, and Sumit Kumar from Leena Chandavarkar.
Kishore Kumar is said to have been paranoid about not being paid. During recordings, he would begin singing only after his secretary confirmed that the producer had made the payment.cite web
title=A melancholy but life-long prankster
accessdate=2007-07-13] Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment). On the sets of
Bhai Bhai, Kishore Kumar refused to act because the director M V Raman owed him five thousand rupees. His brother Ashok Kumar persuaded him to do the scene. But, when the shooting started, he walked across the floor and, each time he walked a few places, he said, "Paanch Hazzar Rupaiya," (five thousand rupees) and did a somersault. After he reached the end of the floor, he went out of the studio, jumped into his car, and ordered his driver Abdul to drive away.
On another occasion, when the producer R. C. Talwar did not pay his dues in spite of repeated reminders, Kishore Kumar turned up at Talwar's residence one morning and started shouting "Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight thousand"). He did this every morning for a few days, until Talwar paid him.
The film "Anand" (1971) was originally supposed to star Kishore Kumar and
Mehmoodin the lead roles.cite book
last = Zaveri
first = Hanif
title = Mehmood, a Man of Many Moods
year = 2005
publisher = Popular Prakashan
isbn = 8179912132
pages = 133
chapter = A Comedy King and Superstar ] One of the producers of the film, N.C. Sippy, had earlier served as Mehmood's production manager.
Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) had done a stage show organized by another Bengali man, and he was involved in a fight with this man over money matters. He had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (another Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. The incident hurt Hrishikesh Mukherjee so much, that he decided not to work with Kishore Kumar. Consequently, Mehmood had to leave the film as well, and new actors ( Rajesh Khannaand Amitabh Bachchan) were signed up for the film.
In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. He recorded for free, for some films produced by
Rajesh Khannaand Danny Denzongpa.cite web
title=What a yodeller!
work=Metro Plus Kochi
accessdate=2007-07-13] On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film "Dal Mein Kala" (1964). When the little-known actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Mukherjee was one of the first persons to appreciate Kishore's singing talent.
Many journalists and writers have written about Kishore Kumar's seemingly eccentric behavior. [cite web
title=Kishore Kumar: The Master's Voice
accessdate=2007-07-13] [cite web
title=Life is a lovely journey
accessdate=2007-07-13] Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his
bungalowwas being done up. Once, the producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly.cite book
last = Valicha
first = Kishore
title = Kishore Kumar: The Definitive Biography
origyear = 1998
year = 1998
publisher = Penguin Books
pages=312] Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.
According to another reported incident, once Kishore Kumar was to record a song for the producer-director
G. P. Sippy. As Sippy approached his bungalow, he saw Kishore going out in his car. Sippy pleaded him to stop his car, but Kishore only increased the speed of his car. Sippy chased him to Madh Island, where Kishore Kumar finally stopped his car near the ruined Madh Fort. When Sippy questioned his strange behavior, Kishore Kumar refused to recognize or talk to him and threatened to call police. Sippy had to return. Next morning, Kishore Kumar reported for the recording. An angry Sippy questioned him about his behavior on the previous day. However, Kishore Kumar insisted that Sippy must have seen a dream, and claimed that he was in Khandwa on the previous day. [cite web
title=One evening with Kishore Kumar Khandwewala
Kishore Kumar was also noted for defying producers and directors. Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in
Mumbai, he drove on till Khandalabecause the director forgot to say "Cut". In the 1960s, a financier called Kalidas Batvabbal, patently disgusted with Kishore Kumar's alleged lack of cooperation during the shooting of Half Ticket, gave him away to the income tax authorities. Kishore had to face a raid at his house. Later, Kishore invited Batvabbal home, tricked him by asking him to enter a cupboard for a "chat" and locked him inside. He unlocked Batvabbal after two hours and told him "Don’t ever come to my house again."
Bengal Film Journalists' Association Awards
* 1971 - Best Male Playback Singer for "Aradhana" [ [http://www.bfjaawards.com/legacy/pastwin/197134.htm 34th Annual BFJA Awards] ]
* 1972 - Best Male Playback Singer for " Andaz" [ [http://www.bfjaawards.com/legacy/pastwin/197235.htm 35th Annual BFJA Awards] ]
* 1973 - Best Male Playback Singer for "
Haré Raama Haré Krishna" [ [http://www.bfjaawards.com/legacy/pastwin/197336.htm 36th Annual BFJA Awards] ]
* 1975 - Best Male Playback Singer for "
Kora Kagaz" [ [http://www.bfjaawards.com/legacy/pastwin/197538.htm 38th Annual BFJA Awards] ]
Kishore Kumar acted in 86 films. Some of his notable films as an actor include:
* "Door Gagan Ki Chhaon Mein" (1964)
* "Ganga Ki Lahren" (1964)
* "Mr. X in Bombay" (1964)
Half Ticket" (1962)
* "Manmauji" (1962)
* "Jhumroo" (1961)
Chalti Ka Naam Gaadi" (1958)
Dilli Ka Thug" (1958)
* "Aasha" (1957)
* "New Delhi" (1956)
* "Baap Re Baap" (1955)
* "Miss Mala" (1954)
* "Naukari" (1954)
* [http://www.bollango.com/cgi-bin/akf_search.tcl?key=movie&actor=kishore+kumar Complete List]
Kishore Kumar sang for around 574 films. Some of his notable films as a singer are:
Mr India" (1987)"
Agar Tum Na Hote" (1983)
Satte Pe Satta" (1982)
Namak Halaal" (1982)
* "Rocky" (1981)
* "Karz" (1980)
Muqaddar Ka Sikandar" (1978)
* "Don" (1978)
Ponga Pandit" (1975)
Kora Kagaz" (1974)
Yaadon Ki Baaraat" (1973)
Raampur Ka Lakshman" (1972)
Bombay to Goa" (1972)
Mere Jeevan Saathi" (1972)
* "Hare Rama Hare Krishna" (1972)
Amar Prem" (1972)
Buddha Mil Gaya" (1971)
Prem Pujari" (1970)
Pyar Ka Mausam" (1969)
Jewel Thief" (1967)
* "Guide" (1965)
Teen Devian" (1965)
Door Gagan Ki Chhaon Mein" (1964)
Mr. X in Bombay" (1964)
Half Ticket" (1962)
Dilli Ka Thug" (1958)
Nau Do Gyarah" (1957)
Paying Guest" (1957)
* "Funtoosh" (1956)
* "House No 44" (1955)
* "Taxi Driver" (1954)
Kishore Kumar also produced 14 films, and wrote the story for these films. Six of these films were not completed. He is also credited with writing the screenplays of five films, two of which remained incomplete. He also directed 12 films, four of which were abandoned.
Kishore Kumar also composed music for all of his home productions:
Door Gagan Ki Chhaon Mein" (1964)
Hum Do Daku" (1967)
Door Ka Rahi" (1971)
Zameen Aasman" (1972)
Badti Ka Naam Dadhi" (1974)
Shabash Daddy" (1979)
Chalti Ka Naam Zindagi" (1981)
Door Wadiyon Mein" (1982)
Mamta Ki Chhaon Mein" (1990)
Some of his notable songs as a composer include "Koi Ham Dam Na Raha", "Aa Chal Ke Tujhe", and "Beqarar Dil Tu Gaye Ja". He also composed several Bengali songs, including "Nayano Sarasi Keno", "Priyatama Ki Likhi Tomay" (sung by
Lata Mangeshkar), and "Sei Raate Raat Chilo Poornima".
List of Indian playback singers
* cite book
last = Bose
first = Derek
title = Kishore Kumar: Method in Madness
year = 2004
publisher = Rupa & Co.
isbn = 978-8129105264
oclc = 57429780
* cite book
last = Valicha
first = Kishore
title = Kishore Kumar: The Definitive Biography
year = 1998
publisher = Penguin Books/Viking
New York/ New Delhi
oclc = 40164015
isbn = 978-0670882649
* [http://songs.kishorekumar.org/ Kishorekumar.org: Rare Kishore Kumar Songs]
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Kishore Kumar — (eigentlich Abhas Kumar Ganguly; * 4. August 1929 in Khandwa, Madhya Pradesh; † 13. Oktober 1987 in Mumbai, Maharashtra) war ein indischer Playbacksänger (in den Sprachen Hindi, Bengali, Marathi, Asamiya, Gujarati, Kannada, Bhojpuri, Oriya) und… … Deutsch Wikipedia
Kishore Kumar — (hindi : किशोर कुमार) (4 août, 1929 – 13 octobre, 1987) né Abhas Kumar Ganguly était un chanteur et un acteur indien de renom, mais aussi un compositeur, parolier, scénariste, producteur et réalisateur. Sommaire 1 Biographie 2 Récompenses … Wikipédia en Français
Kishore Kumar — Datos generales Nombre real Abhas Kumar Ganguly Nacimiento 4 de agosto de 1929 Khandwa, Provincias Centrales, India Muerte 13 de octubre de 1987 … Wikipedia Español
Kumar Sanu — né Kedarnath Bhattacharya (কেদারনাথ ভট্টাচার্য en bengali) le 23 septembre, 1957 à Kolkata, est un chanteur indien de playback de Bollywood. Il est l un des plus fameux chanteurs de l industrie cinématographique indienne depuis 1984 ; il a… … Wikipédia en Français
Kumar — (Tamil: குமார்; Sanskrit: कुमार) ist ein als Vor und Familienname verwendeter indischer Name. In Hindi bedeutet er Kind des Skanda, des Kriegsgottes im Hinduismus. Andere mögliche Schreibweisen sind: Kumara, Kumari, Kumaru und Kumaran.… … Deutsch Wikipedia
Kumar — ( ta. , (Sanskrit: . In Hinduism (meaning child, (child of) Skanda) the God of War. Is a title, given name or family name. As a name it can also be used as: Kumara, Kumari, Kumaru and Kumaran. Kumar is a caste that is more common with Sri Lankan … Wikipedia
Kumar Sanu — Infobox Musical artist Name = Kumar Sanu Img capt = Img size = Landscape = Background = solo singer Birth name = Alias = Kedarnath Bhattacharya Born = birth date and age|1957|9|23 Kolkata, India Died = Instrument = Genre = Playback singing… … Wikipedia
Kishor Kumar — Kishore Kumar (eigentlich Abhas Kumar Ganguly; * 4. August 1929 in Khandwa, Madhya Pradesh; † 13. Oktober 1987 in Mumbai, Maharashtra) war ein indischer Playbacksänger (in den Sprachen Hindi, Bengali, Marathi, Asamiya, Gujarati, Kannada, Bhojpuri … Deutsch Wikipedia
Amit Kumar — Infobox Musical artist Name = Amit Kumar Img capt = Img size = Landscape = Background = solo singer Birth name = Amit Kumar Ganguly Alias = Ameet Kumar Born = Birth date|1952|July|3 Instrument = Vocalist, Purcussion Instruments (Bango) Genre =… … Wikipedia
K For Kishore — Infobox Television bgcolour = DarkOliveGreen show name = white|K For Kishore genre = Reality, Musical picture format = 480i (SDTV), creator = Miditech director = Sudesh Bhonsle country = IND network = Sony Entertainment Television India first… … Wikipedia