- Thomas Gainsborough
name = Thomas Gainsborough
imagesize = 250px
caption = Self-portrait, painted 1759
birthname = Thomas Gainsborough
birthdate = birth date|df=yes|1727|5|14 (baptised)
location = Sudbury,
deathdate = Death date and age|df=yes|1788|8|2|1727|5|14
nationality = English
field = Painter
Mr and Mrs Andrews The Blue Boy
Life and work
Thomas Gainsborough was born in Sudbury,
Suffolk, England. His father was a weaver involved with the wool trade. At the age of thirteen he impressed his father with his pencilling skills so that he let him go to London to study art in 1740. In London he first trained under engraver Hubert Gravelotbut eventually became associated with William Hogarthand his school. One of his mentors was Francis Hayman. In those years he contributed to the decoration of what is now the Thomas Coram Foundation for Childrenand the supper boxes at Vauxhall Gardens.
In the 1740s, Gainsborough married Margaret Burr, an illegitimate daughter of the Duke of Beaufort, who settled a £200 annuity on the couple. The artist's work, then mainly composed of landscape paintings, was not selling very well. He returned to Sudbury in 1748–1749 and concentrated on the painting of
In 1752, he and his family, now including two daughters, moved to
Ipswich. Commissions for personal portraits increased, but his clientele included mainly local merchants and squires. He had to borrow against his wife's annuity.
In 1759, Gainsborough and his family moved to Bath. There, he studied portraits by
van Dyckand was eventually able to attract a better-paying high society clientele. In 1761, he began to send work to the Society of Arts exhibition in London (now the Royal Society of Arts, of which he was one of the earliest members); and from 1769 on, he submitted works to the Royal Academy's annual exhibitions. He selected portraits of well-known or notorious clients in order to attract attention. These exhibitions helped him acquire a national reputation, and he was invited to become one of the founding members of the Royal Academy in 1769. His relationship with the academy, however, was not an easy one and he stopped exhibiting his paintings there in 1773.
In 1774, Gainsborough and his family moved to London to live in
Schomberg House, Pall Mall. In 1777, he again began to exhibit his paintings at the Royal Academy, including portraits of contemporary celebrities, such as the Duke and Duchess of Cumberland. Exhibitions of his work continued for the next six years.
In 1780, he painted the portraits of King George III and his queen and afterwards received many royal commissions. This gave him some influence with the Academy and allowed him to dictate the manner in which he wished his work to be exhibited. However, in 1783, he removed his paintings from the forthcoming exhibition and transferred them to Schomberg House.
In 1784, royal painter Allan Ramsay died and the King was obliged to give the job to Gainsborough's rival and Academy president,
Joshua Reynolds, however Gainsborough remained the Royal Family's favorite painter. At his own express wish, he was buried at St. Anne's Church, Kew, where the Family regularly worshipped.
In his later years, Gainsborough often painted relatively simple, ordinary landscapes. With Richard Wilson, he was one of the originators of the eighteenth-century British landscape school; though simultaneously, in conjunction with Joshua Reynolds, he was the dominant British
portraitistof the second half of the 18th century.
He died of
canceron 2 August 1788 at the age of 61.
Gainsborough painted more from his observations of nature (and human nature) than from any application of formal academic rules. The poetic sensibility of his paintings caused Constable to say, "On looking at them, we find tears in our eyes and know not what brings them." He himself said, "I'm sick of portraits, and wish very much to take my viol-da-gam and walk off to some sweet village, where I can paint landskips "(sic)" and enjoy the fag end of life in quietness and ease."
His most famous works, such as "Portrait of Mrs. Graham"; "Mary and Margaret: The Painter's Daughters"; "William Hallett and His Wife Elizabeth, nee Stephen", known as "The Morning Walk"; and "Cottage Girl with Dog and Pitcher", display the unique individuality of his subjects.
Gainsborough's only known assistant was his nephew, Gainsborough Dupont.
* Kitty (1945) is a notable fictional film about Gainsborough, portrayed by
* Gainsborough has an important posthumous role in the
alternate historynovel The Two Georgesby Harry Turtledove.
English school of painting
List of British painters
Holywells Park, Ipswich
*"Thomas Gainsborough’s 'Lost' Portrait of Auguste Vestri",
*"The Letters of Thomas Gainsborough" (Paul Mellon Centre for Studies), John Hayes
* [http://www.ibiblio.org/wm/paint/auth/gainsborough/ Webmuseum Paris: Thomas Gainsborough]
* [http://www.vam.ac.uk/collections/paintings/galleries/display/gainsborough/index.html Victoria and Albert Museum collection]
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