Aimé Césaire

Aimé Césaire
Aimé Fernand David Césaire

Cadastre (1961) and Moi, laminaire (1982)
Born Claude Pierre
26 June 1913(1913-06-26)
Basse-Pointe, Martinique
Died 17 April 2008(2008-04-17) (aged 94)
Fort-de-France, Martinique
Residence Martinique
Nationality [Martiniquan]
Known for Poet, Politician
Political party Parti Progressiste Martiniquais
Spouse Suzanne Roussi
Website
http://www.cesaire.org/

Aimé Fernand David Césaire (26 June 1913 – 17 April 2008) was a French poet, author and politician from Martinique. He was "one of the founders of the négritude movement in Francophone literature".[1]

Contents

Student, educator, and poet

Aimé Césaire was born in Basse-Pointe, Martinique in 1913. He traveled to Paris to attend the Lycée Louis-le-Grand on an educational scholarship. In Paris, Césaire, who in 1935 passed an entrance exam for the École normale supérieure, created, with Léopold Sédar Senghor and Léon Damas, the literary review L'Étudiant Noir (The Black Student). In 1936, Césaire began work on his book-length poem Cahier d'un retour au pays natal (Notebook of a Return to My Native Land, 1939), a vivid and powerful depiction of the ambiguities of Caribbean life and culture in the New World and this upon returning home to Martinique.

Césaire married fellow Martinican student Suzanne Roussi in 1937. Together they moved back to Martinique in 1939 with their young son. Césaire became a teacher at the Lycée Schoelcher in Fort-de-France, where he taught Frantz Fanon and served as an inspiration for, but did not teach, Édouard Glissant. He would become a heavy influence for Fanon as both a mentor and a contemporary throughout Fanon's short life.

World War II

The years of World War II were ones of great intellectual activity for the Césaires. In 1941, Aimé Césaire and Suzanne Roussi founded the literary review Tropiques, with the help of other Martinican intellectuals such as René Ménil and Aristide Maugée, in order to challenge the cultural status quo and alienation that then characterized Martinican identity. Many run-ins with censorship did not deter Césaire from being an outspoken defendant of Martinican identity. He also became close to French surrealist poet André Breton, who spent time in Martinique during the war. (The two had met in 1940, and Breton would champion Cesaire's work.[2])

In 1947 he was finally able to publish his long poem "Cahier d'un retour au pays natal" ("Notebook of a Return to the Native Land"), which had first been published in the Parisian periodical Volontés in 1939.[3] The book mixes poetry and prose to express his thoughts on the cultural identity of black Africans in a colonial setting. Breton contributed a laudatory introduction to this 1947 edition, saying that the "poem is nothing less than the greatest lyrical monument of our times."[4]

Political career

In 1945, with the support of the French Communist Party (PCF), Césaire was elected mayor of Fort-de-France and deputy to the French National Assembly for Martinique. He was one of the principal drafters of the 1946 law on departmentalizing former colonies, a role for which independentist politicians have often criticized him.

Like many left intellectuals in France, Césaire looked in the 1930s and 1940s toward the Soviet Union as a source of human progress, virtue, and human rights, but Césaire later grew disillusioned with Communism. In 1956, after the Soviet Union's suppression of the Hungarian revolution, Aimé Césaire announced his resignation from the PCF in a text entitled Lettre à Maurice Thorez. In 1958 he founded the Parti Progressiste Martiniquais.

His writings during this period reflect his passion for civic and social engagement. He wrote Discours sur le colonialisme (Discourse on Colonialism) (1950; English translation 1953), a denunciation of European colonial racism, decadence, and hypocrisy that was republished in the French review Présence Africaine in 1955. In 1960, he published Toussaint Louverture, based upon the life of the Haitian revolutionary. In 1968, he published the first version of Une Tempête, a radical adaptation of Shakespeare's play The Tempest for a black audience.

He served as President of the Regional Council of Martinique from 1983 to 1988. He retired from politics in 2001.

Later life

In 2006, he refused to meet the leader of the Union for a Popular Movement (UMP), Nicolas Sarkozy, then a probable contender for the 2007 presidential election, because the UMP had voted for the February 23, 2005 law asking teachers and textbooks to "acknowledge and recognize in particular the positive role of the French presence abroad, especially in North Africa", a law considered by many as a eulogy to colonialism and French actions during the Algerian War. President Jacques Chirac finally had the controversial law repealed.

On 9 April 2008, he had serious heart troubles and was admitted to Pierre Zobda Quitman hospital in Fort-de-France. He died on 17 April 2008.[5]

Césaire was given the honour of a state funeral, held at the Stade de Dillon in Fort-de-France on April 20. President Nicolas Sarkozy was present but did not make a speech. Pierre Aliker, who served for many years as deputy mayor under Césaire, gave the funeral oration.

Legacy

Martinique's airport at Le Lamentin was renamed Martinique Aimé Césaire International Airport on 15 January 2007. An national commemoration ceremony was held on April 6, 2011, as a plaque in Aimé Césaire's name was inaugurated in the Panthéon in Paris.

Works

Each year links to its corresponding "[year] in poetry" article for poetry, or "[year] in literature" article for other works:

Poetry

  • 1939: Cahier d'un retour au pays natal, Paris: Volontés, OCLC 213466273 .
  • 1946: Les armes miraculeuses, Paris: Gallimard, OCLC 248258485 .
  • 1947: Cahier d'un retour au pays natal, Paris: Bordas, OCLC 369684638 .
  • 1948: Soleil cou-coupé, Paris: K, OCLC 4325153 .
  • 1950: Corps perdu, Paris: Fragrance, OCLC 245836847 .
  • 1960: Ferrements, Paris: Editions du Seuil, OCLC 59034113 .
  • 1961: Cadastre, Paris: Editions du Seuil, OCLC 252242086 .
  • 1982: Moi, laminaire, Paris: Editions du Seuil, ISBN 978-2020062688 .

Theatre

  • 1958: Et les Chiens se taisaient, tragédie: arrangement théâtral. Paris: Présence Africaine; reprint: 1997
  • 1963: La Tragédie du roi Christophe. Paris: Présence Africaine; reprint: 1993; The tragedy of King Christophe, New York: Grove 1969
  • 1969: Une Tempête, adapted from The Tempest by William Shakespeare: adaptation pour un théâtre nègre. Paris: Seuil; reprint: 1997; A Tempest, New York: Ubu repertory 1986
  • 1966: Une Saison au Congo. Paris: Seuil; reprint: 2001; A season in the Congo, New York 1968, A play about Patrice Lumumba

Other writings

  • Césaire, Aimé (January 1945), "Poésie et connaissance", Tropiques (12): 158–70 .
  • Césaire, Aimé (1955), Discours sur le colonialisme, Paris: Présence Africaine, OCLC 8230845 .
  • Césaire, Aimé (1957 [October 24, 1956]), Lettre à Maurice Thorez, Paris: Présence Africaine .[6]
  • Césaire, Aimé (1960), Toussaint Louverture: La Révolution française et le problème colonial, Paris: Club français du livre, OCLC 263448333 .

See also

Notes

  1. ^ Ben A. Heller "Césaire, Aimé", in Daniel Balderston (et al, eds.) Encyclopedia of Latin American and Caribbean Literature, 1900-2003, London: Routledge, p.128-30, 128
  2. ^ Auster, Paul, editor, The Random House Book of Twentieth-Century French Poetry: with Translations by American and British Poets, New York: Random House, 1982 ISBN 0394521978
  3. ^ "Commentary." Notebook of a Return to the Native Land (Middleton, CT: Wesleyan University Press, 2001), p. 53.
  4. ^ "A Great Black Poet." Notebook of a Return to the Native Land (Middleton, CT: Wesleyan University Press, 2001), p. xiii.
  5. ^ "Caribbean poet Cesaire dies at 94". BBC. 2008-04-17. http://news.bbc.co.uk/1/hi/entertainment/7352717.stm. Retrieved 2008-04-17. 
  6. ^ "Lettre à Maurice Thorez". Collectif: Les Mots Sont Importants. 2008-04-18. http://lmsi.net/Lettre-a-Maurice-Thorez. Retrieved 2011-03-10. 

References

  • Césaire, Aimé (1957). Letter to Maurice Thorez. Paris: Présence africaine. p. 7.
  • Césaire, Aimé. Notebook of a Return to the Native Land. Trans. and ed. Clayton Eshleman and Annete Smith, with an introduction by André Breton. Middleton, CT: Wesleyan University Press, 2001.
  • Christian Filostrat, La Négritude et la "Conscience raciale et révolutionaire sociale" d'Aimé Césaire. Présence Francophone No 21, Automne 1980. pp 119 – 130.
  • Joubert, Jean-Louis. "Césaire, Aimé." In Dictionnaire encyclopédique de la littérature française. Paris: Robert Laffont, 1999.
  • Malela, Buata, « Le rebelle ou la quête de la liberté chez Aimé Césaire », Revue Frontenac Review, 16-17, Queen’s University, Kingston (Ontario), 2003, p. 125-148.
  • Malela, Buata, « Les enjeux de la figuration de Lumumba. Débat postcolonial et discours en contrepoint chez Césaire et Sartre », Mouvements, n° 51, 2007/3, p. 130-141.
  • Malela, Buata B., Les écrivains afro-antillais à Paris (1920–1960). Stratégies et postures identitaires, Paris, Karthala, coll. Lettres du Sud, 2008.
  • Malela, Buata B., Aimé Césaire. Le fil et la trame: critique et figuration de la colonialité du pouvoir, Paris, Anibwe, 2009.

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