Music of Belize

Music of Belize

The music of Belize has a mix of Kriol, Mestizo, Garifuna, and Maya influences. After many centuries of Maya habitation, British colonizers arrived in the area in the 17th century. Belize was Britain's only colony in Spanish-dominated Central America until self-government in 1964 and gaining full Independence in 1981. Belize is still part of the Commonwealth of Nations. Far more influential than this presence, however, was the importation of African slaves.

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European and African influences

Europeans brought polkas, waltzes, schottisches and quadrilles, while Africans brought numerous instruments and percussion-based musics, including marimba. African culture resulted in the creation of brukdown music in interior logging camps, played using banjo, guitar, drums, dingaling bell, accordion and an ass's jawbone played by running a stick up and down the teeth.

Mestizo music

Mestizo culture in north and west Belize, and also Guatemala, is characterised by marimba, a xylophone-like instrument descended from an African instrument. Marimba bands use trap drums, double bass and sometimes other instruments. Famous performers include Alma Belicena and the Los Angeles Marimba Band. In Benque Viejo Del Carmen, the Los Angeles Marimbas were owned by the Castellanos family, whose patriarch, Ernesto Castellanos was both musician and master marimba maker. They gave scheduled weekend performances at the Los Angeles Club (also owned by the Castellanos Family) on Church Street in Benque Viejo Del Carmen. Although Alma Belicena was known as the mobile marimba band who participated in many events around the country, their variety of music was limited to cultural styles. Los Angeles Marimbas on the other hand remained fixed in their own home, rarely making external appearances, yet they were so skilled and diversified in music genres that actually listening to them was a treat and perfect marimba experience.

Kriol Music

Among the most popular styles created by Kriol musicians is brukdown. Brukdown evolved out of the music and dance of loggers, especially a form called buru. Buru was often satirical in nature, and eventually grew more urban, accompanied by a donkey's jawbone, drums and a banjo. The word brukdown may come from broken down calypso, referring to the similarities between brukdown and Trinidadian calypso music; the presence of large numbers of Jamaicans in Belize also led to an influence from mento music.

In modern forms, new instruments have been added to brukdown. The "boom and chime groups" use bass guitar, electric guitar and congas, for example. Popular brukdown groups include The Tigers, The Mahogany Chips, Mimi Female Duet and Brad Pattico [1]. Brukdown remains a rural, rarely recorded genre.

Garifuna music

The Garifuna (also called Garinagu) are descended from escaped Island Caribs who were deported from St. Vincent to Central America (especially Honduras and also Belize) in 1802 by the British when they conquered St. Vincent. The Garifunas kept themselves apart from the social system then dominant, leading to a distinctive culture that developed throughout the 20th century.

Forms of Garifuna folk music and dance encompass many styles including: punta, hungu-hungu, combination, wanaragua, abaimahani, matamuerte, laremuna wadaguman, gunjai, charikanari, sambai, charikanari, eremuna egi, paranda, berusu, punta rock, teremuna ligilisi, arumahani, and Mali-amalihani. Punta and Punta rock are the most popular forms of dance music in Garifuna culture. Punta is performed around holidays and at parties, and other social events. Punta lyrics are usually composed by the women. Chumba and hunguhungu are circular dances in a three beat rhythm, which are often combined with punta. There are other songs typical to each gender, women having eremwu eu and abaimajani, rhythmic a cappella songs, and laremuna wadaguman, men's work songs.

Drums play a very important role in Garifuna music. There are primarily two types of drums used:

1. The Primero (tenor drum)

2. The Segunda (bass drum)

These drums are typically made of hollowed-out hardwood such as mahogany or mayflower, with the skins coming from the peccary (wild bush pig), deer, or sheep. Also used in combination with the drums are the sisera. These shakers are made from the dried fruit of the gourd tree, filled with seeds, then fitted with hardwood handles.

In contemporary Belize there has been a resurgence of Garifuna music, popularized by musicians such as Andy Palacio, Mohobub Flores, & Adrian Martinez. These musicians have taken many aspects from traditional Garifuna music forms and fused them with more modern sounds in a style described as a mixture of punta rock and paranda. One great example is Andy Palacio's album "Watina," released on the Belizean record label "Stone Tree Records."

Modern music

Belize's musical base has expanded considerably in recent years with the addition of local reggae, Hip Hop, hard rock, metalcore and dancehall stars.

Various metalcore and hard rock bands are scattered around the country (with most in districts with a higher Mestizo population such as the north and Cayo), and there has even been a rock and metal revival, with annual festivals and rock music programs on local radio.

There has also been a noticeable influence of EDM in the country, mostly among youths, with house music and dubstep being prominent. Many have become disc jockeys with few becoming producers.

However, despite the many growing rock and electronic music scenes, commercial pop music from the United States and England, and modern dancehall artists from Jamaica (Vybz Kartel, Mavado) still remain the most popular forms of music among young Belizeans.

Belizean Artists

Some notable Belizean artists are:

  • Andy Palacio
  • Chico Ramos
  • Bella Carib
  • Paul Nabor
  • ILYA Rosado a.k.a "ILLA-G"
  • Lloyd & Reckless
  • Punta Rebels
  • Mr. Peters Boom & Chime
  • Lord Rhaburn
  • Lela Vernon
  • Santino's Messengers
  • Bobbo Youth
  • Aaron "Bruno" Arana
  • Jon Santos, singer of the band "Fallzone"
  • Bobby Amaru, singer of the band "Burn Season"

References

  • Graham, Ronnie. "Drum'n'Flute Legacies". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 325–331. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
  • [2]

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