- AmeriKKKa's Most Wanted
Name = AmeriKKKa's Most Wanted
Type = studio
May 16 1990
Recorded = 1989-1990
Greene Street Studios
New York, New York)
West Coast hip hop, gangsta rap
Length = 49:36
Label = Priority
Chuck D, Eric Sadler, Hank Shocklee, Ice Cube, Sir Jinx, Yo-Yo
Reviews = *
Allmusicrating|5|5 [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:fvh1z8hajyv2 link]
Entertainment Weekly" (mixed) [http://www.ew.com/ew/article/0,,317434,00.html link]
Hip Hop Connection" [http://www.flickr.com/photos/17211797@N03/1906380323/sizes/l link]
*RapReviews (10/10) [http://www.rapreviews.com/archive/BTTL_amerikkka.html link]
Robert Christgau(B-) [http://www.robertchristgau.com/get_artist.php?name=Ice+Cube link]
Rolling Stone" rating|2.5|5 [http://www.rollingstone.com/artists/icecube/albums/album/270902/review/6068199 link]
*"The Source" rating|5|5
Last album =
This album = "AmeriKKKa's Most Wanted"
Next album = "
Kill at Will"
Name = AmeriKKKa's Most Wanted
Type = studio
single 1 =
Who's the Mack?
single 1 date = 1990
single 2 = AmeriKKKa's Most Wanted
single 2 date =
April 17 1990
single 3 =
Endangered Species (Tales from the Darkside)
single 3 date = 1990
"AmeriKKKa's Most Wanted" is rapper
Ice Cube's influential [ [http://www.enotes.com/contemporary-musicians/ice-cube-biography Ice Cube biography.] enotes. Accessed December 5, 2007.] debut solo album, released after his acrimonious split from his former group N.W.A. It was originally released on May 16, 1990. Primarily produced by The Bomb Squad(Public Enemy's production team), the album was an unexpectedly large critical and commercial success, and remains one of the defining hip hop albums of the 1990s era. Ice Cube's social, and political commentary, which was delivered in an incisive manner, has influenced numerous rappers since, particularly in the gangsta rapand political rap subgenres. The album cemented Cube's reputation as a gifted lyricist, and introduced him as a highly literate scribe on the hardships of life in South Central, Los Angeles, as well as an outspoken critic of the American Justice System, and race relations in the United States. The album was certified platinum for sales of over 1 million units in the United States. [http://www.riaa.com/goldandplatinumdata.php?resultpage=1&table=SEARCH_RESULTS&action=&title=AmeriKKKa's%20Most%20Wanted&artist=&format=&debutLP=&category=&sex=&releaseDate=&requestNo=&type=&level=&label=&company=&certificationDate=&awardDescription=&catalogNo=&aSex=&rec_id=&charField=&gold=&platinum=&multiPlat=&level2=&certDate=&album=&id=&after=&before=&startMonth=1&endMonth=1&startYear=1958&endYear=2007&sort=Artist&perPage=25 "AmeriKKKa's Most Wanted" certification.] RIAA. Accessed November 28, 2007.]
In an interview with Cooleh Magazine, producer
Hank Shockleehad this to say in regards to Ice Cube's approach to creating the album:
The title of the album is an allusion to a television show called "
America's Most Wanted", wherein real-life crimes are reenacted and viewers are asked to call in with any information about the alleged perpetrators. The show has taken criticism for its reenactments. They are believed to perpetuate stereotypes regarding the criminality of African-Americanmen and other minorities, such as Latinos. The intentional misspelling of "America" with three K's equates the show and status quo society with the Ku Klux Klan.
"AmeriKKKa's Most Wanted" is mostly a socio-political conscious and
gangsta rapalbum. The songs delve into the issues of ghettolife, drug addiction, racismand poverty. Throughout the album, Ice Cube incessantly attacks racist institutions and social norms which directly or indirectly allow the oppression of those living in the ghettos of Los Angelesto continue.Predating the Rodney Kingincident, " Endangered Species (Tales from the Darkside)" can be seen as prophetic in its assessment of police brutality and the inadequate justice handed to police officers who use excessive force against ethnics.Throughout the album, Cube takes some controversial stands, referring to certain types of African-Americans as "oreo cookies"; an epithetimplying that they appear to be black on the outside, but are white inside. Arsenio Hallis specifically mentioned as being a " sell-out," while the same accusation is implied to be leveled at Cube's former bandmate Eazy-E. Cube also heavily criticizes R&B and hip hop radio stations for watered-down broadcasting. The titular song on the album directly parodies the television show, "America's Most Wanted", exposing the bias and glee with which the program displays in arresting Afro-American men.
A later song ("Get Off My Dick, and Tell Yo Bitch to Come Here") returns to the same theme at the end, with newscaster
Tom Brokawreporting on rioting: "Outside the south central area, few cared about the violence because it didn't affect them." Also of interest is "It's a Man's World", a duet between Cube and female rapper Yo-Yo, in a similar fashion to such famous "battle of the sexes" songs as "Hit the Road Jack" and "Tramp" by Otis Redding. Cube and Yo-Yo verbally spar and trade sexist barbs back and forth in an expose of sexism between men and women. However, within the song concessions are made as Cube admits "it's a man's world, but it wouldn't be a damn thing without a woman's touch."
In a review of a live show at the Apollo in September, 1991, Peter Watrous of the
The New York Timeswrote:
:…the high point of the show was the arrival of the female rapper Yo-Yo, who fought a fierce battle of putdowns with Ice Cube on their tune "It's a Man's World"; Yo-Yo did not agree. Judging from the audience's equally vociferous response, no one came out ahead; any new sense of cultural violence or sexism promoted by the record had dissolved into a traditional battle of the sexes, no better or no worse. [cite web|url=http://query.nytimes.com/gst/fullpage.html?res=9C0CEFD81F3DF935A2575AC0A966958260&n=Top%2fReference%2fTimes%20Topics%2fPeople%2fI%2fIce%20Cube|title=Review/Pop; Ice Cube's Hip-Hop Warms up the Apollo - New York Times ]
Nevertheless, the album received criticism for alleged
sexism, particularly for "You Can't Fade Me," a track, in which Cube fantasizes about kicking a pregnant, former one-night stand in the stomach in order to cause a miscarriage, and avoid having to pay child support.
The release of "AmeriKKKa's Most Wanted", and its subsequent success were wholly unexpected, as Cube had only recently split from his former group,
N.W.A. His former bandmates, in the meantime had resorted to taunting him in interviews. The album initially charted without the support of a lead single or video, although the title song would later receive a pressing, and a rare video for "Who's the Mack?" did eventually surface. Regardless of the drawbacks, the album shipped half a million copies in its first week out, and was certified Platinum two months later.
"AmeriKKKa's Most Wanted" received The Source's highly-coveted (at the time) 'five mics' award; a 'classic' rating. It was the second album to be awarded this, and up until
Outkast's " Aquemini" in 1998, one of only ten albums to be approved for five mics by The Source. In 1998, the album was selected as one of The Source Magazine's 100 Best Rap Albums. In 2005, comedian Chris Rockranked it 17th on his list of the Top 25 Hip-Hop Albums ever. [ [http://rateyourmusic.com/list/tha_flu/chris_rocks_top_25_hip_hop_albums Chris Rock top hip hop albums.] rateyourmusic. Accessed December 3, 2007.]
Ratings and excerpts from editorials: [cite web|url=http://www.towerrecords.com/product.aspx?pfid=2775493&title=AmeriKKKa's+Most+Wanted+%5BEdited%5D+%5BRemaster%5D&artist=Ice+Cube|title=Tower.com: The Planet's Entertainment Destination for Music, CDs, Movies, DVDs, Books & more ]
*rating|5|5 "…Beautiful anarchy, a mercilessly funky record…" -
Rolling Stone(3/20/03, p.69)
**Included in Rolling Stone's "Essential Recordings of the 90's" - Rolling Stone (5/13/99, p.70)
*Ranked #80 in
Spin Magazine's 90 Greatest Albums of the '90s (Spin (9/99, p.160) and #33 in the "100 Greatest Albums 1985-2005" [cite web|url=http://www.rocklistmusic.co.uk/spin100.html#Various|title=Spin Lists ]
**"…An indelible ghetto-storytelling smart bomb…" - Spin (5/03, p.113)
*Recommended as one of the Five Best Rap Albums of 1990 - "…a lurid account of life in the projects. Ice Cube played the 'Nigga Ya Love To Hate' with theatrical fire and considerable skill in an album that gives a whole new meaning to the phrase `
black comedy'…" - Q (2/91)
*rating|4|5 "…A brilliantly wound-up, pissed-off album…" - Uncut (6/03, p.113)
*"…A visceral classic…" - Vibe (6/02, p.108)
**Ranked #2 in Vibe's "Top 10 rap albums"
*"A riotous, feverish rant about life in black Amerikkka that separates itself from his old partners' exploitation… One of the most powerful hip hop records ever." -
Peter Shapiro("The Rough Guide to Hip-hop", 2001, p.172)
Produced entirely by the Bomb Squad (during the height of Public Enemy's success) and
Da Lench Mob, "AmeriKKKa's Most Wanted" received accolades for innovation in production upon release. Since this time, West Coast rap has largely taken a separate direction from the sound present on "AmeriKKKa's Most Wanted", and headed more towards the glossy beats, and smooth drawls popularised by Dr. Dreand Snoop Dogg.
Although Ice Cube's popularity among mainstream listeners has lessened since the 2000s, and his sound may be considered distinctively old school to modern ears, many rappers themselves have been influenced by his innovative lyrical techniques. His style of rap, drenched in real life sentiment, and socio-political awareness, influenced the music of West Coast rappers, including that of
Tupac, Ras Kass, and Xzibit, as well as East Coast rappers Nas, The Notorious B.I.G., and more recently, Saigon. While Ice Cube's early albums often described true circumstances in outlandish fashion, for example using fairytale characters to tell a violent and tragic story in "A Gangsta's Fairytale", later rappers would take this to the extreme, often describing physically impossible acts of violence in an outrageously exaggerated manner.
The Bomb Squad- Record producer
*Mario Castellanos -
Chris Champion- Assistant engineer
Chuck D.- Performer
Da Lench Mob- Vocals (bckgr), producer
*(Ex) Cat Heads - Vocals (bckgr)
Flavor Flav- Vocals, performer
*Ricky Harris - Vocals (bckgr)
*Al Hayes -
Bass Guitar, guitar
*Vincent Henry -
*Brian Holt - Vocals
*Kevin Hosmann - Art direction
Ice Cube- Vocals, producer
*Jay Dee - Vocals (bckgr)
*Tim Rollins -
Eric Sadler- Producer
Nick Sansano- Engineer
*Shannon - Vocals (bckgr)
*Christopher Shaw - Engineer
Keith Shocklee- Scratching
Sir Jinx- Vocals (bckgr), producer
Howie Weinberg- Mastering
*Dan Wood - Vocals (bckgr), Engineer
*Yo-Yo - Vocals, performer
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