- Gee's Bend, Alabama
Gee's Bend also known as Boykin is a very poor tenant community in
Alabama ,United States of America lying at the edge of the Black Belt in Wilcox County, about thirty miles southwest of Selma. The name comes from a planter named Joseph Gee, the first white man to settle in Gee's Bend.Early History
Gee's Bend is a block of land enclosed on three sides by a massive turn in the
Alabama River . Inhabitants of Gee's Bend, and the community of Gee's Bend, now renamed Boykin, areAfrican American s. TheResettlement Administration reports emphasize its isolation, describing the unreliableferry that approached from the east and the poor muddy road that entered from the west. Founded by the Gee family early in the 1800s, theplantation was sold to their relative Mark Pettway in 1845 to settle a $29,000 debt. About a year later, the Pettway family moved from North Carolina to Gee's Bend, bringing around one hundred or so slaves with them. When the slaves were freed many of them continued helping the Pettways as planters or sharecroppers. Many of the black tenantsArthur Rothstein photographed were named Pettway. The white Pettways sold the plantation in the early 1900s, and the seven hundred or so blacks had since rented or sharecropped the land from its successive owners.The community had received public assistance from the
Red Cross in 1932 and federal and state aid in 1933 and 1934. Beginning in 1935, the Resettlement Administration made agricultural loans and offered farm and home management advice. In 1937, the average rural rehabilitation loan to Gee's Bend families was $353.41, and the agency reports speak of possible cooperative undertakings—a building campaign for houses, barns, a schoolhouse, and a sawmill. Residents were also encouraged to replace oxen with more efficient mules.The agency's programs at Gee's Bend continued after Rothstein's visit. During 1937, the agency purchased the old Pettway plantation and two adjacent farms, divided the land, and rented it to the tenants. The following year, a
nurse began working in the community, and construction began for a school, store,blacksmith shop, and cooperative cotton gin. By 1939 enough visible change had occurred forRoy Stryker to sendMary Post Wolcott to the community to photograph the signs of progress—to get the "after" pictures. During 1940s, many families at Gee's Bend bought their farms from the government for an average of $1,400 each. This was about $2,600 less per farm than the eighty-eight units had cost the government, a subsidy that seems to have been fairly typical for Farm Security Administration projects of this type.Gee's Bend is a place that has continued to fascinate outsiders. In 1941,
New York City speech professor and folklore collectorRobert Sonkin recorded music, recitations, discussion, and aFourth of July program at Gee's Bend.Ferry Service
Gee's Bend became an important part of the mid-1960s
Freedom Quilting Bee , an offshoot of the Civil Rights movement designed to boost family income and foster community development by selling handcrafts to outsiders. When large numbers of residents began taking theferry to the county seat of Camden in order to try and register to vote, local authorities reacted by eliminating ferry service in 1962. The lack of ferry service forced the residents of the community drive more than an hour in order to conduct business in Camden. The people of Gee's Bend would be without a ferry service for forty-four years. [cite news | first=Randal | last=Pinkston | coauthors= | title=Ferry Finally Arrives At Gee's Bend | date=2006-09-18 | publisher= | url =http://www.cbsnews.com/stories/2006/09/18/fyi/main2019717.shtml | work =CBS News | pages = | accessdate = 2007-06-03 | language = ]In the 1990s, Congress allocated money to pay for a ferry service and operating costs, but the project floundered when the Alabama Department of Transportation hired Hubert Bonner, a boat builder who had never built a ferry. Bonner's ferry, completed in 2004, got stuck on a sandbar and did not pass Coast Guard inspections. Alabama then hired Hornblower Marine Services, [http://www.hornblowermarine.com/] to rebuild the ferry that Bonner completed, fixing the problems to allows the ferry to pass the Coast Guard inspections. Hornblower completed retrofitting the ferry in May, 2006. The ferry service began anew on
September 18 ,2006 , after dredging of the route was completed.
* [http://maps.google.com/maps/ms?ie=UTF8&hl=en&om=1&msa=0&msid=109905825650754177839.000001137b561818f42f7&ll=32.125035,-87.331009&spn=0.403569,0.6427&z=11 Link to Google's Maps page showing the routes between Camden and the Gee's Bend community]Gee's Bend Quilts
Calvin Trillin devoted a 1969 "The New Yorker " piece to the opening of the community's new sewing center, paid for with quilting bee revenues. In 1983, an exhibit in Birmingham sponsored by theAlabama Humanities Foundation included several of Rothstein's photographs of Gee's Bend, and an oral history project at theBirmingham Public Library sent new researchers and a photographer to document a new generation of residents. Nevertheless the residents themselves have expressed some doubt that the attention they have received has improved their lot in life. In 1985, local historianKathryn Tucker Windham reported: "They say, 'Ain't nothing ever happened.'"And then in 2002, an exhibition of their art work opened at the Museum of Fine Arts,
Houston and everything changed. The show went to theWhitney Museum inNew York City and their art was hailed as "some of the most miraculous work of art America has produced." The show subsequently traveled to numerous other museums and the women have found gallery representation for their art. In June of 2006, a second exhibition of quilts opened at the Museum of Fine Arts, Houston called "Gee's Bend: The Architecture of the Quilt." It will travel to seven additional museums, the final stop of the nationwide tour being at the Philadelphia Museum of Art at the end of 2008. Many of the quilt makers have become well known and have traveled extensively to talk about their community and their art. Many now have real incomes for the first time and their work, and its success, has helped to reunite and revive a dying community. In August 2006, theUnited States Postal Service released a sheet of twelvecommemorative stamp s bearing images of Gee's Bend quilts sewn between c.1940 and 2001. [cite journal
author=ed. William J. Gicker |year=2006 |title=Quilts of Gee's Bend 39¢ |format=print |journal=USA Philatelic |volume=11
issue=3 |pages=5 |url= |accessdate=2008-07-09
quote=Noted for their unexpected color combinations, bold patterns and improvised designs, these quilts were often made out of humble materials such as flour sacks, worn-out denim and flannel work clothes. ]Quilters Lawsuits
In 2007 two members of the Gee's Bend quilting community filed lawsuits in US Federal Court in Selma, Alabama. The suit filed by Annie Mae Young alleged that Tinwood Ventures and art dealers William, Matt, and Paul Arnett falsely claim to own the intellectual property rights to quilts made in Gee's Bend before 1984, including her work. They also improperly used her name and image to promote sales, the lawsuit alleges. The suit filed by Loretta Pettway, claims "gross exploitation" at the hands of the Arnetts and Tinwood Ventures. Both suits also list as defendants
Kathy Ireland Worldwide who have licensed the designs from some of the famous quilts from Tinwood and the Arnetts for use in Kathy Ireland products.cite news | first=Tara | last=Dooley | coauthors= | title=2 Gee's Bend quilters say they were cheated | date=2007-06-16 | publisher= | url =http://www.chron.com/disp/story.mpl/front/4894956.html | work =Houston Chronicle | pages = | accessdate = 2007-06-29 | language = ]Kathy Ireland Worldwide defends their handling of the Gee's Bend quilter's royalties in a statement on their website: [cite web | title=Kathy Ireland Quilting Solutions | url=http://www.kathyireland.com/ContentSystem/CategoryPage.aspx?CatID=40 | last=Ireland | first=Kathy | accessdate:2007-07-01]
Our agreement assures us that the quilter’s representatives are the proper place to send all quilt related earnings. This week a careful review of our files indicates that Kathy Ireland Worldwide has paid more to these representatives than our company has earned from the quilts project.
Other members of the quilters group are unhappy with the lawsuits and felt they are an attempt of some members to go out out on their own.
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