The Pilgrim's Progress (opera)

"The Pilgrim's Progress" is an opera by Ralph Vaughan Williams, based on John Bunyan's allegory "The Pilgrim's Progress". The composer himself described the work as a 'Morality' rather than an opera, while nonetheless he intended the work to be performed on stage, rather than in a church or cathedral. Vaughan Williams himself prepared the libretto, with interpolations from the Bible and also text from his wife, Ursula. His changes to the story included altering the name of the central character from 'Christian' to 'Pilgrim', so as to universalize the spiritual message.

The musical gestation of this opera was protracted, and was reflected in a number of musical projects in Vaughan Williams' life. For example, the familiar hymn 'Who would true valor see' is sung by the chorus in Act II, Scene I, from a tune written in 1906. Vaughan Williams' earlier one-act opera "The Shepherds of the Delectable Mountains", from 1921, was incorporated into Act IV, Scene 2 of the later opera. His Symphony No. 5 also made use of themes originally conceived for his John Bunyan project. [Hugh Ottaway, "Vaughan Williams: Symphony in D and "The Pilgrim's Progress". A Comparative Note". "The Musical Times ", 94(1328), 456-458 (1953).] . He wrote a 1940 motet on Mr. Valiant-for-Truth's speech for mixed chorus. The BBC commissioned Vaughan Williams for incidental music for a 1942 radio dramatization of "The Pilgrim's Progress".cite journal | url=http://oq.oxfordjournals.org/cgi/content/citation/16/4/702 | last=Graeme | first=Roland | title=The Pilgrim's Progress. Ralph Vaughan Williams | journal=Opera Quarterly | volume=16 | issue=4 | pages=702-706 | date=2000 | accessdate=2008-05-01] Herbert Murrill has characterized the opera as "summarizing in three hours virtually the whole creative output of a great composer". [Herbert Murrill, "Vaughan Williams's Pilgrim". "Music & Letters", 32(4), 324-327 (1951).]

Roles

The first performance was at Covent Garden on 26 April 1951. [ [http://www.musicaltimes.co.uk/archive/misc/pilgrimrev.html Hubert Foss, Review of "The Pilgrim's Progress". "Musical Times", June 1951.] ] The conductor was Leonard Hancock, whom Vaughan Williams had personally chosen to conduct the premiere. [ [http://www.guardian.co.uk/obituaries/story/0,,307698,00.html Alan Blyth, "Music, maestro, please" (Obituary for Leonard Hancock). "The Guardian", 2 April 1999.] ] The original cast included the following singers:
* Arnold Matters (Pilgrim)
* Inia Te Wiata (John Bunyan)
* Edgar Evans (Interpreter, Heavenly Messenger)
* Bryan Drake (Watchful, the Porter)
* Norman Walker (Evangelist and Apollyon)
* Iris Kells (Woodcutter's Boy)
* Parry Jones (Mister By-Ends)
* Jean Watson (Madam By-Ends)
* Monica Sinclair (the Heavenly Body) [ [http://www.guardian.co.uk/obituaries/story/0,,715692,00.html Alan Blyth, Obituary for Monica Sinclair. "The Guardian", 15 May 2002.] ] The Covent Garden performances were not a success, and the company dropped the opera from its repetoire in 1952. However, a student production at the University of Cambridge in 1954 met with greater approval from the composer, notably for the performance of John Noble as Pilgrim. [Michael Kennedy, Notes to CD reissue of Vaughan Williams' "The Pilgrim's Progress" (Sir Adrian Boult, conductor). EMI Classics, CMS 7 64212 2 (1992 CD release).]

The opera contains 41 individual singing roles.

Plot

The opera contains a Prologue, four Acts, and an Epilogue.

"Prologue": Bunyan in Prison
The opera opens to the chords of the psalm tune 'York'. John Bunyan is in Bedford Gaol, completing his book "The Pilgrim's Progress". He stands, faces the audience, and begins to read from the opening of the book. As he does so, a vision of Pilgrim appears, carrying his burden. A curtain falls to conceal Bunyan, and Pilgrim is alone on stage, reading and in a state of lamentation.

"Act I"
* "Scene 1": The Pilgrim meets EvangelistEvangelist directs Pilgrim towards the Wicket Gate. Four neighbors, Pliable, Obstinate, Mistrust and Timorous, appear to warn Pilgrim away from his journey. But Pilgrim dismisses them and continues.
* "Scene 2": The House BeautifulOutside of the House Beautiful, Pilgrim "stumbles up to the Cross" and kneels before it. From off-stage, the voices of Three Shining Ones are heard. They then greet Pilgrim and relieve him of his burden. After Pilgrim knocks on the door of the House Beautiful, the Interpreter bids him welcome, as a chorus greets him. The Interpreter marks Pilgrim's forehead in blessing, and after receiving a white robe, Pilgrim enters the House.
* Nocturne (Intermezzo)Watchful, the house porter, prays for the safety of the house's denizens and for them to enjoy the blessings of sleep.

"Act II"
* "Scene 1": The Arming of the PilgrimThe Herald asks who will go forth on the King's highway. Pilgrim volunteers, and a scribe notes his name in a book. Pilgrim then receives "armour of proof", and begins his journey.
* "Scene 2": The Pilgrim meets ApollyonIn the Valley of Humiliation, a chorus of Doleful Creatures, howling, surrounds Pilgrim as he enters. Apollyon enters and challenges Pilgrim in single combat, but Pilgrim prevails. The fight has exhausted Pilgrim, but two Heavenly Beings, Branch Bearer and Cup Bearer, restore Pilgrim with leaves from the Tree of Life and water from the Water of Life. Evangelist then returns and gives Pilgrim the Staff of Salvation, the Roll of the Word and the Key of Promise. He also warns Pilgrim to take care at town of Vanity.

"Act III"
* "Scene 1": Vanity FairAt the fair in the town of Vanity, "all the pleasures of man" are for sale. Pilgrim enters, and averts his eyes from Vanity Fair as the crowd surrounds him and offers their wares, from Lord Lechery to Madam Bubble and Madam Wanton. The crowd asks what Pilgrim will buy, and he replies: "I buy the truth!" The crowd mocks Pilgrim, who denounces them as followers of Beelzebub. Lord Hate-good then appears, before whom the crowd brings Pilgrim. Witnesses, including Superstition, Envy, Pickthank and Malice, as well as Madam Bubble and Madam Wanton denounce Pilgrim. Lord Hate-good asks for the crowd's verdict, and they demand death. Lord Hate-good orders Pilgrim to be imprisoned.
* "Scene 2": The Pilgrim in PrisonPilgrim laments that God has forsaken him. In his despair, clutches at his chest. He feels the Key of Promise, and after he has put it in the lock, he is instantly freed from prison and his bonds are gone. He resumes his journey.

"Act IV"
* "Scene 1": The Pilgrim meets Mister By-EndsThe Woodcutter's Boy is chopping firewood at the edge of a forest when Pilgrim enters, asking how far there is to go to the Celestial City. The Boy replies "not far", and points out that one can see the Delectable Mountains on a clear day, The Boy then notices Mister and Madam By-Ends as they approach. Mister By-Ends points out that he has become a "gentleman of quality". He offers to keep the Pilgrim company on his journey, but Pilgrim replies that those who would travel with him must be willing to stand "against the wind and tide". Mister and Madam By-Ends refuse, preferring creature comforts and his "old principles" to poverty. They leave, and Pilgrim resumes his journey.
* Entr`acte
* "Scene 2": The Shepherds of the Delectable MountainsAt the Delectable Mountains, three Shepherds are at evening prayer. Pilgrim approaches them and asks if he is on the path to the Celestial City. They reply yes, and after asking why he wishes to journey there, invite Pilgrim to rest with them momentarily. The voice of a bird sings praises to God. A Celestial Messenger appears and tells Pilgrim that "the Master" summons him that day. The Messenger ceremonially pierces Pilgrim's heart with an arrow "with the point sharpened with love". The Shepherds anoint Pilgrim. The Messenger directs Pilgrim on the path to the Celestial City, to which he must first cross the River of Death. The Shepherds pray for Pilgrim.
* "Scene 3": The Pilgrim reaches the End of his JourneyIn darkness, a trumpet sounds in the distance. The scene brightens, and voices from Heaven welcome Pilgrim to the Celestial City, at the completion of his journey.

"Epilogue"
Back in Bedford Gaol, again with the 'York' psalm tune present, Bunyan addresses the audience, holding out his book as an offering.

Recordings

* EMI Classics CMS 7 64212 2 (1992 CD release) (original LP issue, HMV SLS 959): John Noble (Pilgrim); Raimund Herincx (John Bunyan, Lord Hate-Good), John Carol Case (Evangelist), Wynford Evans, Christopher Keyte, Geoffrey Shaw, Bernard Dickerson, Sheila Armstrong, Marie Hayward, Gloria Jennings, Ian Partridge, John Shirley-Quirk, Terence Sharpe, Robert Lloyd, Norma Burrowes, Alfreda Hodgson, Joseph Ward, Richard Angas, John Elwes, Delia Wallis, Wendy Eathorne, Gerald English, Doreen Price, Jean Temperley, Kenneth Woollam; London Philharmonic Choir; London Philharmonic Orchestra; Sir Adrian Boult, conductor [Ottaway, Hugh, "Record Reviews: "The Pilgrim's Progress" (May 1972). "The Musical Times", 113 (1551): pp. 469-470.]
* Chandos: Gerald Finley (Pilgrim); Peter Coleman-Wright (John Bunyan), Jeremy White (Evangelist), Richard Coxon, Roderick Williams. Gideon Saks, Francis Egerton. Rebecca Evans, Susan Gritton. Pamela Helen Stephen, Anne-Marie Owens, Mark Padmore, Robert Hayward, Adrian Thompson; Royal Opera Chorus; Orchestra of the Royal Opera House, Covent Garden; Richard Hickox, conductor

References