Zelig

Infobox Film
name = Zelig


image_size =
caption = Original poster
director = Woody Allen
producer =
writer = Woody Allen
narrator =
starring = Woody Allen
Mia Farrow
music = Dick Hyman
cinematography = Gordon Willis
editing = Susan E. Morse
distributor = Orion Pictures
released = July 15, 1983 (US)
September 14, 1983 (France)
September 29, 1983 (Australia)
runtime = 79 minutes
country = United States
language = English
budget =
gross = $11,798,616 (US)
preceded_by =
followed_by =
website =
amg_id =
imdb_id = 0086637

"Zelig" is a 1983 American mockumentary written and directed by Woody Allen.

Plot synopsis

Set in the 1920s and 1930s, the film focuses on Leonard Zelig, a nondescript man who has the ability to transform his appearance to that of the people who surround him. He is observed at a party by F. Scott Fitzgerald, who notices that while mingling with the guests, Zelig sings the praises of the affluent classes in a refined, snobbish accent, but while in the kitchen with the servants, he seethes with rage at the s in a thick proletarian voice. He soon gains international fame as a "human chameleon".

Dr. Eudora Fletcher (Mia Farrow) is a psychiatrist who wants to help Zelig with this strange disorder when he is admitted to her hospital. Through the use of hypnotism, she discovers Zelig yearns for approval so strongly he physically changes to fit in with those around him. Dr. Fletcher's determination allows her to cure Zelig, but not without complications; on the road to recovery, he temporarily develops a personality which is intolerant of other people's opinions.

Dr. Fletcher realizes she is falling in love with Zelig. Due to the media coverage of the case, both patient and doctor become part of the popular culture of their time. However, fame is the main cause of their division; the same society that made Zelig a hero destroys him.

Zelig's illness returns, and he tries to fit in once more. Numerous women claim he married them, and he disappears. Dr. Fletcher finds him in Germany working with the Nazis prior to the outbreak of World War II. Together they escape and return to America, where they are proclaimed heroes (after Zelig, using his ability to imitate one more time, mimics Fletcher's piloting skills and flies back home across the Pacific upside down).

Production notes

Woody Allen used actual newsreel footage and inserted himself and other actors into the footage via bluescreen technology. To provide an authentic look to his scenes, Allen and cinematographer Gordon Willis used a variety of techniques, including locating some of the actual antique film cameras and lenses used during the eras depicted in the film, and even going so far as to simulate damage, such as crinkles and scratches, on the negatives to make the finished product look more like vintage footage. The virtually seamless blending of old and new footage was achieved almost a decade before digital filmmaking technology made such techniques in films like "Forrest Gump" and various television commercials much easier to accomplish.

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Also appearing in the film's vintage footage are Charles Lindbergh, Al Capone, William Randolph Hearst, Marion Davies, Charlie Chaplin, Josephine Baker, Fanny Brice, Adolf Hitler, Josef Goebbels, Hermann Goering, James Cagney, Jimmy Walker, Lou Gehrig, Babe Ruth, Bobby Jones, and Pope Pius XI.

In the time it took to complete the film's special effects, Allen filmed "A Midsummer Night's Sex Comedy" and "Broadway Danny Rose".

The soundtrack includes such period songs as "I'm Sitting on Top of the World" and "Five Feet Two, Eyes of Blue" by Ray Henderson, Sam Lewis, and Joe Young; "Sunny Side Up" by Henderson, Lew Brown, and Buddy G. DeSylva; "Ain't We Got Fun" by Richard A. Whiting, Ray Egan, and Gus Kahn; "Charleston" by James P. Johnson and Cecil Mack; "I'll Get By" by Fred E. Ahlert and Roy Turk; "I've Got a Feeling I'm Falling"by Fats Waller, Harry Link, and Billy Rose; "I Love My Baby (My Baby Loves Me)" by Harry Warren and Bud Green; "A Sailboat in the Moonlight" by Carmen Lombardo and John Jacob Loeb; "Chicago (That Toddlin' Town)" by Fred Fisher; and "Anchors Aweigh" by Charles A. Zimmerman and Alfred Hart Miles. In addition, Dick Hyman composed a number of tunes allegedly inspired by the Zelig phenomenon, including "Leonard the Lizard," "Reptile Eyes," "You May Be Six People, But I Love You," "Doin' the Chameleon," ""The Changing Man Concerto," and "Chameleon Days," the latter performed by Mae Questel, the voice of Betty Boop.

Prior to being shown at the Venice Film Festival, the film opened on six screens in the US and grossed $60,119 on its opening weekend. Its domestic revenue eventually totaled $11,798,616 [ [http://www.boxofficemojo.com/movies/?id=zelig.htm "Zelig" at BoxOfficeMojo.com] ] .

Zelig has the distinction of being the only Warner-released Orion Pictures film that is owned by Orion's successor MGM.

Critical reaction

In his review in the "New York Times", Vincent Canby observed, " [Allen's] new, remarkably self-assured comedy is to his career what . . . "Berlin Alexanderplatz" is to Rainer Werner Fassbinder's and . . . "Fanny and Alexander" is to Ingmar Bergman's . . . "Zelig" is not only pricelessly funny, it's also, on occasion, very moving. It works simultaneously as social history, as a love story, as an examination of several different kinds of film narrative, as satire and as parody . . . [It] is a nearly perfect - and perfectly original - Woody Allen comedy." [ [http://movies.nytimes.com/movie/review?res=9A00E0DA103BF934A25754C0A965948260 "New York Times" review] ]

"Variety" said the film was "consistently funny, though more academic than boulevardier" [ [http://www.variety.com/review/VE1117796586.html?categoryid=31&cs=1&p=0 "Variety" review] ] , and the "Christian Science Monitor" called it "amazingly funny and poignant" [ [http://www.csmonitor.com/1983/0818/081802.html "Christian Science Monitor" review] ] . "Time Out New York" describes it as "mildly amusing" [ [http://www.timeout.com/film/newyork/reviews/78521/Zelig.html "Time Out New York" review] ] , while "TV Guide" says, "Allen's ongoing struggles with psychoanalysis and his Jewish identity - stridently literal preoccupations in most of his work - are for once rendered allegorically. The result is deeply satisfying." [ [http://www.tvguide.com/movies/zelig/review/110262 "TV Guide" review] ]

Awards and nominations

*Academy Award for Best Cinematography (Gordon Willis, nominee)
*Academy Award for Best Costume Design (Santo Loquasto, nominee)
*Golden Globe Award for Best Motion Picture - Musical or Comedy (nominee)
*Golden Globe Award for Best Actor - Motion Picture Musical or Comedy (Woody Allen, nominee)
*BAFTA Award for Best Original Screenplay (nominee)
*BAFTA Award for Best Cinematography (nominee)
*BAFTA Award for Best Special Visual Effects (nominee)
*BAFTA Award for Best Editing (nominee)
*BAFTA Award for Best Makeup (nominee)
*Writers Guild of America Award for Best Comedy Written Directly for the Screen (nominee)
*Saturn Award for Best Direction (nominee)
*New York Film Critics Circle Award for Best Cinematography (winner)
*Kansas City Film Critics Circle Award for Best Supporting Actress (Mia Farrow, winner; tied with Linda Hunt for "The Year of Living Dangerously")
*David di Donatello Award for Best Foreign Actor (Allen, winner)
*Venice Film Festival Pasinetti Award for Best Film (winner)
*Bodil Award for Best Non-European Film (winner)

References

External links

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