William J. G. Turner

William John Gascoyne ("Bill") Turner (20 October 1952 - 26 June1987) worked extensively as a composer, director, dramatist, producer and actor. He wrote for nearly 30 productions, including three operas and numerous musicals.

Mr. Turner began his theatrical career in Shorewood, Wisconsin, acting in or creating costumes for high school productions. At Shorewood High School he met his first collaborator, Lory Lazarus, and the two of them created their first musical together: The Reunion Of Sam, with Mr. Turner writing the music. This theater of the absurd musical was first performed in 1969 in their English class. The following year it received staged readings at various coffeehouses in the Milwaukee area, finally receiving a full production in 1973 when they were both students at the University of Wisconsin - Milwaukee. Also while attending UW-M, Mr. Turner created incidental music for Lazarus' Inanimation, performed by Milwaukee's Theatre X, and The Utopian And The Scab, performed by fellow drama students. They started work on their next musical, Farnum's Fabulous Freaks, but work on it came to a halt when Mr. Turner moved to Utah.

Trained at the American Conservatory Theater (ACT) in San Francisco, Mr. Turner also held a BFA in theatrical direction from Carnegie Mellon University. As a directing student, he directed a production of Sondheim's Evening Primrose as well as the premiere of the musical Glitz! (book and lyrics by John Mangano, music by Charles Gilbert) for Scotch 'n' Soda, the student theater group at Carnegie Mellon.

As a founding member and artistic director of Theatre Express in Pittsburgh, Mr. Turner wrote, directed, produced or composed music for more than 24 productions from 1976-1980. His productions of the operas [http://www.madebytwo.info A Lyrical Opera Made By Two] and The Unlit Corridor were performed throughout the east, most notably at the Long Wharf Theatre and La Mama E.T.C., both in 1980. In addition to the premiere of his own works, he directed productions of Eugène Ionesco's Killing Game, Sam Shepard's Angel City, Richard Foreman and Stanley Silverman's Hotel for Criminals, Leon Katz's Son of Arlecchino, and William Bolcom and Arnold Weinstein's Dynamite Tonight. During this time, he also was an artist in residence at Tufts University.

After Theatre Express folded in 1980, Turner and his partner, Mike Humphries, moved to Delaware, where he taught and directed (Shaw's You Never Can Tell) at the University of Delaware. He collaborated with composer and lyricist Charles Gilbert on a musical entitled B.G.D.F., and directed the premiere of that work in the summer of 1982.

Subsequently, Bill and Mike moved to New York City, where Bill created several original works (see below). He scripted and directed Al Carmines' Camp Meeting at the Cathedral of St. John the Divine in 1986, and his opera A Bird In The Hand, premiered in New York in 1985. He composed music for a staged reading of John Brown's Body in memory of Allen Fletcher, director of the American Conservatory Theatre, and the direction of Al Carmines' Camp Meeting, a benefit staged to celebrate the fiftieth birthday of the author, a composer, lyricist, playwright, and priest. During the last two years of his life, he found great satisfaction in his work as a literacy volunteer, teaching adults to read and write. He published the works of fourteen students in The Writing Group: 1986 Yearbook. He edited the collection from his hospital bed. He died of AIDS [ cite web|url=http://www.artistswithaids.org/national/registry.html |title=National registry of artists with AIDS |accessdate=2006-10-03 |work=The Estate Project ]

References

External links

* [http://www.artistswithaids.org/artforms/music/archive_catalogue.html The Estate Project for Artists with AIDS]