Sunshine V, mezzotint by Peter Ilsted

Mezzotint is a printmaking process of the intaglio family, technically a drypoint method. It was the first tonal method to be used, enabling half-tones to be produced without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening the plate with thousands of little dots made by a metal tool with small teeth, called a "rocker." In printing, the tiny pits in the plate hold the ink when the face of the plate is wiped clean. A high level of quality and richness in the print can be achieved.


Dark to light method

This became the most common method. The whole surface (usually) of a metal, usually copper, plate is roughened evenly, manually with a rocker, or mechanically. If the plate were printed at this point it would show as solid black. The image is then created by selectively burnishing areas of the surface of the metal plate with metal tools: the smoothed parts will print lighter than those areas not smoothed by the burnishing tool. A burnisher has a smooth, round end, which flattens the minutely protruding points comprising the roughened surface of the metal printing plate. Areas smoothed completely flat will not hold ink at all: such areas will print "white," that is, without ink. By varying the degree of smoothing, mid-tones between black and white can be created, hence the name mezzo-tinto which is Italian for "half-tone" or "half-painted". This is called working from "dark to light", or the "subtractive" method.

Light to dark method

Early mezzotint by Vaillerant, Siegen's assistant or tutor. Young man reading, with statue of Cupid. Probably made using light to dark technique. 27.5 × 21.3 cm

Alternatively, It is possible to create the image directly by only roughening a blank plate selectively, where the darker parts of the image are to be. This is called working from "light to dark", or the "additive" method. The first mezzotints by Ludwig von Siegen were made in this way. Especially in this method, Mezzotint can be combined with other intaglio techniques such as engraving, on areas of the plate not roughened, or indeed with the dark to light method.


Printing the finished plate is the same for either method, and follows the normal way for an intaglio plate; the whole surface is inked, the ink is then wiped off the surface to leave ink only in the pits of the still rough areas below the original surface of the plate. The plate is put through a high-pressure printing press next to a sheet of paper, and the process repeated.

Because the pits in the plate are not deep, only a small number of top-quality impressions (copies) can be printed before the quality of the tone starts to degrade as the pressure of the press begins to smooth them out. Perhaps only one or two hundred really good impressions can be taken.

Detailed technique

Plates can be mechanically roughened; one way is to rub fine metal filings over the surface with a piece of glass; the finer the filings, the smaller the grain of the surface. Special roughening tools called 'rockers' have been in use since at least the eighteenth century. The method commonly in use today is to use a steel rocker approximately five inches wide, which has between 45 and 120 teeth per inch on the face of a blade in the shape of a shallow arc, with a wooden handle projecting upwards in a T-shape. Rocked steadily from side to side at the correct angle, the rocker will proceed forward creating burrs in the surface of the copper. The plate is then moved – either rotated by a set number of degrees or through 90 degrees according to preference – and then rocked in another pass. This is repeated until the plate is roughened evenly and will print a completely solid tone of black.

The first known mezzotint, by Ludwig von Siegen, 1642


Mezzotint is known for the luxurious quality of its tones: first, because an evenly, finely roughened surface holds a lot of ink, allowing deep solid colors to be printed; secondly because the process of smoothing the plate with burin, burnisher and scraper allows fine gradations in tone to be developed. The scraper is a triangular ended tool, and the burnisher has a smooth round end – not unlike many spoon handles.


The mezzotint printmaking method was invented by the German amateur artist Ludwig von Siegen (1609–c 1680). His earliest mezzotint print dates to 1642 and is a portrait of Amelia Elizabeth, Landgravine of Hesse-Kassel (or Hesse-Cassel) (right). This was made by working from light to dark. The rocker seems to have been invented by Prince Rupert of the Rhine, a famous cavalry commander in the English Civil War, who was the next to use the process, and took it to England. Sir Peter Lely saw the potential for using it to publicise his portraits, and encouraged a number of Dutch printmakers to come to England.

The process was especially widely used in England from the mid-eighteenth century, to reproduce portraits and other paintings. Since the mid-nineteenth century it has been relatively little used. Robert Kipniss and Peter Ilsted are two notable 20th-century exponents of the technique; M. C. Escher also used mezzotint from time to time.

Mezzotint engravers

See also


  • Wax, Carol. The Mezzotint: History and Technique (Harry N. Abrams, Inc., 1990).

External links

Wikimedia Foundation. 2010.

Look at other dictionaries:

  • Mezzotint — Mez zo*tint, v. t. To engrave in mezzotint. [1913 Webster] …   The Collaborative International Dictionary of English

  • Mezzotint — Mez zo*tint, n. [Cf. F. mezzo tinto.] A manner of engraving on copper or steel by drawing upon a surface previously roughened, and then removing the roughness in places by scraping, burnishing, etc., so as to produce the requisite light and shade …   The Collaborative International Dictionary of English

  • mezzotint — (n.) 1738; see MEZZO (Cf. mezzo) + TINT (Cf. tint). As a verb, from 1827 …   Etymology dictionary

  • mezzotint — [met′sōtint΄, med′zōtint΄, mez′ōtint΄] n. [It mezzotinto: see MEZZO1 & TINT] 1. a method of engraving on a copper or steel plate by scraping or polishing parts of a roughened surface to produce impressions of light and shade 2. an engraving or… …   English World dictionary

  • mezzotint — mezzotinter, n. /met soh tint , med zoh , mez oh /, n. 1. a method of engraving on copper or steel by burnishing or scraping away a uniformly roughened surface. 2. a print produced by this method. v.t. 3. to engrave in mezzotint. [1730 40; < It… …   Universalium

  • mezzotint —    or mezzoprint    In printmaking, an engraving process that is tonal rather than linear, or prints produced by this process. Developed in the seventeenth century, mezzotint was used widely as a reproductive printing process, especially in… …   Glossary of Art Terms

  • mezzotint — UK [ˈmetsəʊˌtɪnt] / US [ˈmetsoʊˌtɪnt] noun [countable/uncountable] Word forms mezzotint : singular mezzotint plural mezzotints art a picture printed from a piece of metal that has some rough areas and some smooth areas …   English dictionary

  • mezzotint — noun Etymology: modification of Italian mezzatinta, from mezza (feminine of mezzo) + tinta tint Date: 1800 1. a manner of engraving on copper or steel by scraping or burnishing a roughened surface to produce light and shade 2. an engraving… …   New Collegiate Dictionary

  • mezzotint — [ mɛtsəʊtɪnt, mɛzəʊ ] noun a print made from an engraved copper or steel plate, the surface of which has been scraped and polished to give areas of shade and light respectively. verb engrave in mezzotint. Derivatives mezzotinter noun Origin from… …   English new terms dictionary

  • mezzotint — mez•zo•tint [[t]ˈmɛt soʊˌtɪnt, ˈmɛd zoʊ , ˈmɛz oʊ [/t]] n. 1) a method of engraving on copper or steel by burnishing or scraping away a uniformly roughened surface 2) a print produced by this method 3) to engrave in mezzotint • Etymology:… …   From formal English to slang

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