Malahari

Malahari
Carnatic Music
Concepts

SrutiSwaraRagaTalaMelakartaAsampurna Melakarta

Compositions

VarnamKritiGeethamSwarajatiRagam Thanam Pallavi • Thillana

Instruments

melody: Vocals • Saraswati veenaVenu • Violin • Chitra veena • NadaswaramMandolin

rhythm: MridangamGhatamMorsingKanjiraThavil

drone: TamburaShruti box

Composers

List of Carnatic composers

Malahari (Sanskrit: मलहरि, Tamil: மலஹரி) is a Carnatic raga. This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga which brings out a sense of calmness.[1] It is associated with the rainy season.[2]

In classical carnatic training, it is often used as a raaga for beginners using Geetham right after the swara-based exercises in Mayamalavagowla. Many of the Geethams in this raga have been composed by Muthuswami Dikshitar and Purandara Dasa.

Ascending scale with C as Shadjam (tonic note)

Contents

Structure and Lakshana

Descending scale has one extra note G3

This ragam is an asymmetric scale and is classified as an audava-shadava ragam (five notes in the ascending scale and six notes in the descending scale).[1][2]

The notes in this scale are 'shuddha rishabham, shuddha madhyamam, shuddha dhaivatam in arohana and additional antara gandharam in avarohanam. Since this scale does not have a nishadham, it can be derived from Gayakapriya (13th melakarta) or Vakulabharanam (14th) too, but has been traditionally associated with Mayamalavagowla (15th) as the parent.

Select compositions

Geetams

  • Shri GanaNaatha in Rupakam, written by Purandara Dasa
  • Padumanaabha paramapurusha in Triputa, written by Purandara Dasa

Kuntha Gowra Keaya nee ranu

Kritis

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.

Scale similarities

  • Karnataka Shuddha Saveri is a rāgam which has a symmetrical scale matching the ascending scale of Malahari (gandharam is entirely omitted). Its ārohaṇa-avarohaṇa structure is S R1 M1 P D1 S : S D1 P M1 R1 S

References

  1. ^ a b Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
  2. ^ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications

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