Diminished triad chord

Diminished triad chord
diminished triad
Component intervals from root
diminished fifth (tritone)
minor third
root
Diminished triad on B About this sound play .
Dominant seventh and incomplete dominant seventh in C major: G7 and bo chords About this sound Play .

A diminished triad chord or diminished chord (About this sound Play ) is a triad consisting of two minor thirds above the root — if built on C, a diminished chord would have a C, an E and a G.[1] It resembles a minor triad with a lowered (flattened) fifth.

Diminished triad on C About this sound play .
iio6 in C minor About this sound play : first inversion do chord.

In the common practice period, the diminished chord is considered dissonant, or unstable. It lacks tonal center or drive because the diminished fifth symmetrically divides the octave.

A diminished chord occurs in a major scale only on the seventh scale degree; in the key of C, this is a B diminished chord (B, D, F). This also occurs in the seventh chord built on the fifth note; in C, this is G dominant seventh (G, B, D, F).

In a twelve-tone equal tempered tuning, a diminished chord has 3 semitones between the third and fifth, 3 between the root and third, and 6 between the root and fifth. It is represented by the integer notation {0, 3, 6}. In just intonation, the diminished triad on vii is tuned 135:162:160.

In most sheet music books[citation needed], Cdim or C° denotes a diminished seventh chord (a four note chord) with root C, and Cm-5 or Cmb5 denotes a diminished triad with root C. However, in some modern jazz books and some music theory literature[citation needed], Cdim or C° denotes a diminished triad, while Cdim7 or C°7 denotes a diminished seventh chord.

"In [rock and] pop music, the diminished triad nearly always appears on the second scale degree, forming a generally maudlin and dejected iio with its members, 2—4—6."[2] Songs that feature iio include Santo & Johnny's Sleep Walk, Herb Alpert's "This Guy's in Love with You", Jay and the Americans' "Cara Mia", and The Hollies' "The Air That I Breathe".[2] Not so rare but rare enough so as to imply knowledge of and conscious avoidance on the part of rock musicians, examples of its use include Oasis' "Don't Look Back In Anger", David Bowie's "Space Oddity", and two in Paul Young's "Go Away".[3]

The iio6 chord is usually found in first inversion, since it is diminished with the bass note doubled since it is not a part of the tritone, while the viio7 chord appears with all four factors most often in root position.[4] In both cases resolve the bass up and move the upper voices downwards in contrary motion.[4] The popular music symbol for a diminished triad is a capital letter designating the root (as with a major chord) with MI(5) added.[5] For example BMI(5) (see also Chord names and symbols (jazz and pop music)).

Diminished chord table

Chord Root Minor Third Diminished Fifth
Cdim C E G
Cdim C E G
Ddim D F (E) Adouble flat (G)
Ddim D F A
Ddim D F A
Edim E G Bdouble flat (A)
Edim E G B
Fdim F A C (B)
Fdim F A C
Gdim G Bdouble flat (A) Ddouble flat (C)
Gdim G B D
Gdim G B D
Adim A C (B) Edouble flat (D)
Adim A C E
Adim A C E
Bdim B D F (E)
Bdim B D F

See also

Sources

  1. ^ Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.68. Seventh Edition. ISBN 978-0-07-294262-0.
  2. ^ a b Everett, Walter (2009). The Foundations of Rock, p.195. ISBN 9780195310238.
  3. ^ Stephenson, Ken (2002). What to Listen for in Rock: A Stylistic Analysis, p.85. ISBN 9780300092394.
  4. ^ a b Benward & Saker (2009). Music in Theory and Practice: Volume II, p.76. Eighth Edition. ISBN 978-0-07-310188-0.
  5. ^ Benward & Saker (2003), p.77.

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