Inigo Jones

Iñigo Jones (July 15, 1573 – June 21, 1652) is regarded as the first significant British architect, and the first to bring Renaissance architecture to England. He also made valuable contributions to stage design.

Beyond the fact that he was born in the vicinity of Smithfield in central London, the son of a Welsh Catholic cloth worker, [His father also bore the unusual name "Iñigo"—perhaps a form of "Ignatius," or a derivative from Spanish. Leapman, p. 14.] and christened at the church of St Bartholomew the Less, little is known about Jones' early years. But towards the end of the 16th century, he became one of the first Englishmen to study architecture in Italy, making two visits to that country. The first (c.1598-1603) was possibly funded by Roger Manners, 5th Earl of Rutland. The second, from 1613 to 1614, found Iñigo in the company of the Earl of Arundel. He may also have been in Italy in 1606 and was influenced by the ambassador Henry Wotton and owned a copy of Andrea Palladio's works with marginalia that refer to Wotton. See [http://www.henrywotton.org.uk/ Wotton And His Worlds 2004] by Gerald Curzon. His work became particularly influenced by Palladio. To a lesser extent, he also held that the setting out of buildings should be guided by principles first described by ancient Roman writer Vitruvius.Jones' best known buildings are the Queen's House at Greenwich, London (started in 1616, his earliest surviving work) and the Banqueting House at Whitehall (1619) – part of a major modernisation by him of the Palace of Whitehall – which also has a ceiling painted by Peter Paul Rubens.

The Banqueting House was one of several projects where Jones worked with his personal assistant and nephew by marriage John Webb.

The other project in which Jones was involved was the design of Covent Garden. He was commissioned by the Earl of Bedford to build a residential square along the lines of an Italian piazza. The Earl felt obliged to provide a church and he warned Jones that he wanted to economise. He told him to simply erect a "barn" and Jones' oft-quoted response was that his lordship would have "the finest barn in Europe". Little remains of the original church situated to the west of the piazza.

As well as his architectural work, Jones did a great deal of work in the field of stage design. He is credited with introducing movable scenery and the proscenium arch to English theatre. Jones designed costumes, sets, and stage effects for a number of masques by Ben Jonson, and the two had famous arguments about whether stage design or literature was more important in theatre. (Jonson ridiculed Jones in a series of his works, written over a span of two decades.) [See: "The Masque of Augurs"; "The Staple of News;" "A Tale of a Tub;" "Love's Welcome at Bolsover". Jonson's follower Richard Brome also took a swipe at Jones in "The Weeding of Covent Garden."]

As the Surveyor of Works to King Charles I, Jones worked for Queen Henrietta Maria on the design of a Roman Catholic chapel at Somerset House (an act that provoked great suspicion from the Protestants) and his career effectively ended with the outbreak of the English Civil War in 1642 and the seizure of the King's houses in 1643. His property was later returned to him (c.1646) but Jones ended his days living in Somerset House and was subsequently buried in the Church of St Benet Paul's Wharf, in London. John Denham and then Christopher Wren followed him as King's Surveyor of Works.

It was in his capacity as surveyor that he was asked to conduct some measurements of Stonehenge. While some of Jones's observations are questionable, and his interpretations and conclusions can only be regarded as fanciful at best, his was the first serious survey.

He was an influence on a number of 18th century architects, notably Lord Burlington and William Kent.